Cold, dead and dark.

I sew with limited visibility, trusting that my thread will be led the old-fashioned way by the abundance of natural flame dancing before me in an old jar, long shadows flickering across the table’s surface like spiders legs and winter branches or ageing crone feet.

Icy; cold: it makes for poor physical company, channelling chills into my palms and fingers, up my arms and into my head and neck each time I let my limbs connect. Like my mother with her carefully painted face and colour-coded outfits: it’s all for show. Behind the veil, inside, it’s a different story: cold, dead and dark.

by Rebecca L. Atherton

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