The Water in Mallorca

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Drink flows like water,
which costs more than wine.
It’s the same with the bean and the bag.
In some bars, it’s €3 for an Evian
and €4 for some leaves in a mug.

In a bid to save money,
I’ve taken to drinking coffee by the litre
and wine by the jug.
While irresponsible for a person of my age and intellect,
inebriation favours me better than sobriety does.

by Rebecca L. Atherton

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Complaining to windows

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To my left, there is a lady cleaning.
She looks upset.
For half an hour now, she has been complaining to windows
and making faces at glass.

Every so often, she startles me with an exclamation
and several tongue clicks.
She’s hijacking my concentration
and trespassing my zen.

I want to abandon dignity,
chasten her with my lips.
But I settle for silent warfare
and apply my fingertips.

Dipping my index finger into make-believe paint,
I imagine I can see her aura,
tracing the outline of her body,
colouring it.

Brown turns to beige,
bows down to orange,
submits to pink,
dissolves into white.

My focus returns,
my mind reconnects,
my shoulders droop
and my heartbeat slows.

Oblivious,
my dog sleeps soundly,
entertained by a monochromatic landscape
of rabbits and moths.

by Rebecca L. Atherton
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Nice Girls Swallow. Sensible Girls Spit

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Life is complicated: the choice of potential options, vast; the possible pathways, many, meandering, overgrown and steep. Just thinking about it is daunting. Trying to affect our fate – making more than taking, succeeding more than failing, smiling more than crying, is overwhelming in the extreme and more than some of us can endure. It’s no wonder there are so many miserable people, so many hiding in their beds. We see a mountain and we run, reacting as if it were a spider. Maybe we have already climbed too many? Maybe we just don’t have the right kind of legs? Perhaps we have a fear of heights, an aversion to vertical? Whichever… whatever…: we are all doing the best that we can with the tools that we have; with what we were given when we arrived, when we came out. If we are lacking, if we are struggling, if we have given up sooner or not travelled as far: it’s because the appliances weren’t there at the start. They either got left behind, left inside; or they were never presented to begin with.

My house was well-furnished and my box is fairly full. I have equipment. It helps. Heaven knows, I have needed it. I still do. If I had a pound for the number of hills and mountains I have encountered, the rivers and seas I have crossed: I would be a wealthy woman by now. Alas, it doesn’t work that way and I am as poor financially as the day I arrived. I owe my existence to benefactors and generous souls. But I am rich in other ways – in heart and in mind, in spirit, if a little disappointed, broken and sad. Trying and not getting; hoping and being denied, taint the image. The picture fades. The paint cracks. The brilliance is dimmed. I am older than I should be and upset by that. The mirror no longer presents a shiny object. I try not to look, and I look away. I go out with ink marks on my cheeks, toothpaste around my mouth, sleep in my eyes. People eyeball and I have no idea why, I have stopped caring. Or at least, I pretend to. In reality, there is no switching off, no numbing. Opinions hurt and I cannot help but be affected by them. I am only human.

Maybe that is why I spend so much time and energy on my art, on creating? Am I trying, perhaps, to make up for the lack in other areas? If I shine on the page, on the canvas, will others be more forgiving; will they remember me for longer; will I mean more, have more value? It’s not a bad theory.

Then again: creative people are characteristically hard on themselves and mostly unhappy, their glass having a tendency to remain empty in the realm of life; Life (the bitch) taking out as many drops as ‘they’ (the individual) puts in. It’s a long road and it’s bumpy. There are challenges. But without these challenges, we wouldn’t grow and growth is vital for creativity, for art. The brightest flowers come from the sparsest of gardens, the thickest of nights, the heaviest of storms. We cannot fight this: it’s the price of the gift. And we cannot knock the horse: what’s given belongs and what’s there is there: full stop, end of story.

So let’s all be thankful for that which we have and make the best of what we possess and wish for less and expect as much. That way, we know where we are and won’t be tripped up.

That said, here are some rules to live by. Take them or leave them. Digest or deny. Think me wise or consider me a fool. It makes no difference… I write as I see. I live as I encounter. I rule as I see fit.

1. Tackle what is beyond you:

The best protection is to be working on hard problems, that way you are always moving forwards and aren’t so easily distracted. And when you succeed, conquering a hurdle, facing something odious that cropped up, you feel great. There is nothing quite so powerful, so healing, so cathartic, as a conquest you can attribute to yourself. Carve up your bedpost. Make your mirror heavy with medals. Fill notebooks and sketchbooks with the stories that you write. Immortalise yourself.

2. Be curious:

View everything as an opportunity to grow and expand. Act like a kid. Probe and question. Reach out and touch. Grab onto and take with you. Sign up and attend. Dive in, go swimming, explore… Discover, find out… Be in charge of what goes in and take responsibility for how you interpret that. Be the captain not the victim. Write your own beginning, middle and ending.

3. Study the sky:

Count stars. Collect clouds. Become an expert at weather prediction. Take time each day to look around you. Absorb your surroundings. Be grateful for beauty and appreciate ugliness. Unsightly is also pretty. Sometimes, it’s exquisite. Think of an old person’s face and the stories it conveys, the life it reflects, the people and places. Think of a ruin, the history contained in what still remains, the things it once stood for, what it has survived. Be mindful in the moment and see the world for the magnificent thing that it is: big, chaotic and complex; incomprehensible, all-knowing and wise; multi-faceted, unpredictable and proud. Do this and do it often and live your life from it. Swallow don’t spit, unless what you savour offends.

by Rebecca L. Atherton
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Weak at the Knees

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Walking on air,
I fall head over heels;
I’m in deep.
My ankles buckle, as if under pressure.
My toes slip.

Collecting injuries,
like there’s no tomorrow,
I take my pain to bed,
curling around it like a senile cat;
feeding it and licking it.

by Rebecca L. Atherton

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God is angry

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The weather is as stubborn as my chihuahua:
hot when it is supposed to be cold;
dry when rain was predicted.
It makes it difficult to plan
and I keep coming unstuck.

Today in cashmere,
I am itchy and uncomfortable
and I cannot help but scratch.
Red welts grow up on my arms
and my face dissolves into blotches.

Sipping water,
I attempt to cool down.
But it is all futile:
God is angry,
and the Devil wants to boil my brain.

by Rebecca L. Atherton

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Migration

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My pain migrates from left to right
as I attempt to write it onto the page,
extracting the edges,
smoothing them over with my pen.

by Rebecca L. Atherton

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Miserable Eyes

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Miserable eyes make me grumpy;
the sun’s glare
like needles dipping in and out.

Hiding behind tinted windows,
my agony is turned inwards,
pressed onto the cavities of my brow.

Exhausted and hot,
I sip Neurofen from a cup
and crunch ice.

It cools me down
but does little to influence my head.

by Rebecca L. Atherton

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A different perspective or a novel approach

My mother sent me this link, so I cannot take credit for finding or posting it, but I can, however, take the acclaim for passing it on and for sharing it. I can also add to her email by letting you know the thoughts and the feelings that it evoked in me.

But first, watch it, so I don’t spoil the ending or there will be no point in any of it.

What did you think? Sweet, huh? And kind of quirky. She is a real ‘retro chick’, isn’t she? Although whether I can get away with calling her that at her age or not, is another matter entirely? I think the term ‘chick’ runs out just shy of 30, and she looks somewhat older than that to me. Either that, or the period dress throws it all out of kilter and I’m basing my instincts on what I see instead of what is.

Anyway, that’s not what I wanted to impart. My intention was simply to say that this made me smile in a soft and gentle way, appealing to my romantic notions of the world, notions that tend to view objects as things with feelings and animals as little people, all of which have to be very carefully taken care of. I felt sorry for the nail file, magazine, mobile and laptop. And I was in anguish over the dress. To me, they all suffered just so that she, Miranda, could get something done. But it was also very clever and, strangely, I might actually have to try it myself. I might find a less complicated way of effecting the entrapment, though, one that ensures all objects are safe and remain that way. I wouldn’t want to traumatise my Kindle or fall out with the kettle. And how on earth am I supposed to pin down and trap the sun?

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Paper Birds

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Outside, it is hot and still,
the air strangely silent.
The crickets doze,
the wasps float,
the trees curl up.
Even the local dogs,
usually vocal,
seem incapable of interacting.

It is the same inside the house:
the candles wilt,
the plants droop,
the paper birds collapse.
Over on the windowsill
a fly searches for company
while ants dissect its mate.

by Rebecca L. Atherton

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Something Removed Rolling

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Something removed rolling

Crickets sharpen their legs against the grass,
the sound reminding me of a restaurant kitchen.
I’m waiting for the “chop, chop!”
and something removed rolling.

The sun sets on the horizon.
The trees settle on the drive.
The cicadas rejoice in the meadow.
The metallic clink of bells rises up from the distance
and an occasional dog whines.

Sitting on the porch in my nightdress –
white, thin and cool –
I absorb my surroundings,
observed only by the stars.

And yet I long for the opposite,
dreaming of traffic jams,
noise pollution,
concrete structures
and bright light.

by Rebecca L. Atherton
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