Snowmen in winter

imageBetter the devil you know than the prince you are chasing after. Better the life you have than the future you would like to arrive. Birds in the hand are worth more than mammals in the distance. Eggs more reliable assets than chickens down the line.

Thank God for what you have and count your lucky stars. Let absence take care of what is missing and providence provide. Tread softly around others, be mindful of their dreams. Give what you can to the less fortunate, take only what you need from those who can provide.

Think big, stand tall, set goals, climb skyscrapers. Plan ahead, take action, share often, do more. Walk with courage, run with enthusiasm, sit down with dignity, sleep with pride. Love each season as if it were the only one available. Embrace all weather, as if it were all there were.

Build snowmen in winter. Plant daisies in spring. Pick apples in summer. Make fires in fall. Smile at those who hurt you, laugh with those who don’t. Listen to your elders, teach your youth. Show those who are searching, lead them who would like to learn. Imagine it all different, then get up and take a turn.

by Rebecca L. Atherton

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The Prince who Favoured the Beast

imageFor years now I have shared my bed with a beast, although he used to be a prince and still was one when I met him and when we married. “How did it come to this?” I ask myself, querying the question. “And why won’t I leave?” To which there is no reply. These are but a handful of questions pulled from a list of intimidating length.

They say that love is strange and life is complex, that there is no understanding either one of them, no dissecting the element to make sense of the parts. And I am inclined (albeit reluctantly) to agree; after all, who am I to argue with those who are in charge the universe, the people who research and study to lay down and prove? Besides, given my current predicament, I would have to say that they are right. But it’s not all bad, not always…

The man behind the mask is still present inside and on good days he even comes out.

The boy next door still lives on my road and when I visit, I can sit quietly in my car and watch him come out.

In fact, if I am truthful – and I suppose I should be because this tale is more truth than fiction and honesty is the main point: I suppose he is around for half of my waking life. But the nature of that percentage is fragmented and split up and cannot be relied upon to present itself. One can be walking, working, socialising, shopping, etc…. and suddenly he –the beast, the demon – arrives, descending like a cloud to swallow everything else up. Then, the hand that I was holding is replaced by a paw, the eyes I was swimming in turn to ice, the voice that was whispering growls complaints and I am trodden on and trampled until I submit. It’s all rather pitiful and I am ashamed to say it out loud. But sometimes speaking difficult things is the bravest thing we can do and sharing can help others to avoid similar mistakes and, who knows: medicine can come from anywhere and take many forms; mine may arrive as a result of this.

Anyhow, this is a cautionary tale and I implore you proceed with care: you never know when something inadvertently encountered is going to rise to trip you up. I’ve cried over poems and wept over books, made decisions based upon films. I’ve travelled far, experimented widely and challenged myself in ways I never imagined I would. I’ve admired, praised, loved; rejected, run towards and fled from. I’ve hidden, stolen, joked; lied, laughed and wept, etc… all inspired by creativity, in one form or another. It’s a powerful element and can do strange things – healing and hurting, helping and hindering, in equal measure.

A fairytale in reverse, this is the story of a Cinderella deprived of a ceremony, a Rapunzel raped of her virginity, a Sleeping Beauty hooked on Prozac and a Snow White sold into slavery. It’s a child abandoned, a sister denied, a lover subjected to violence and a mother deprived. All very tragic.

So how did it start and where are we now and why do we allow it to go on? And what went wrong and why did it happen and who’s really to blame? And do these things matter to anyone but me, when the result is just the same: unhappy, heartbroken, sick? I’m asking you to provide the answer because you are the only ones who can.

We all have our own story, each one containing multiple chapters. Some of us live a new one each day, our pages turning rapidly, our words snappy and fast-paced. Others are slower to reveal themselves and are longer in length, appearing more like entire narratives, a book in themselves. At different times in our lives, their durations will vary. And, depending on what we are experiencing, so will their themes. Some will be romantic in nature, others more comedic, presenting as silly, carefree, frivolous and light. Others still will be tragic and sad, pensive and deep. We will reflect upon the passing of the years, the coming and going of people, who we are, who we were and who we have become. Despite being hard: it is never boring, for we never know what to expect.

For some of us, the element of surprise is alarming and we suffer greatly as a result. For others, not knowing is liberating, allowing space in which to experiment and expand. Ideally, we fall somewhere in the centre, permitting what will be to be without attempting to block it or stand in its way.

Love is equally as unpredictable and unreliable in nature. It comes and goes. It mutates. The quality rises and falls, often depending on external circumstances we lack the ability to control or predict. If we choose to indulge in this most human of experiences, seeking that perfect other half to complete our own gaping whole, then we risk falling and breaking. And if we decide to stick it out, believing still in spite of evidence that might suggest the opposite that things will improve, then we accept that the journey will be difficult. All this I have learned from experience. It is the hard way. But if we truly desire our happy ending, it may be the only one.

by Rebecca L. Atherton

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Dinosaurs that have shrunk

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In my house, there are things that go bump in the night. Only they’re not ghosts, they’re gekkos; lizards in miniature – like tiny dragons or dinosaurs that have shrunk.

Hidden from sight, they live in my room behind the mirror, peering out from holes and cracks that seem to multiply as the creatures inside them expand and spread out.

Habit driven, compulsive, they wake religiously at 5am, their too’ing and fro’ing reminiscent of a cat on tiling, a possum on tin. Only these things are lighter… smaller… the weight of a sugar lump, the size of a sardine.

Making knuckle balls out of finger bone, my partner seeks to expel his anger, venting his manhood onto ears that are tired of listening. To them, we are the intruders; this, their home.

To think that in the beginning, it was just Gordon and Griselda… I doubt even Google could name them all now.

by Rebecca L. Atherton

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No man’s land

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The stupid little car had a habit of letting her down, right when she needed it the most. Take this morning, for instance: she had an important meeting to get to followed by lunch with a friend, and yet here she was in the middle of nowhere waiting for a man in a yellow suit to show up. It was almost as though someone had it in for her. Although, after everything she had been through, she somehow doubted that.

Perhaps the car was worried she’d leave it behind when she left, the cost of shipping outweighing the cost of replacing it at her destination? Or perhaps the country was trying to keep her, albeit treading water in a halfway, half-real, no-man’s land? The irony had not escaped her. As much as she was reluctant to return to the past, for she had good reason to leave it, she needed this transition in order to progress. Without it, she would be trapped indefinitely, sinking deeper and deeper into a hole she lacked the energy to vacate.

by Rebecca L. Atherton

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A dysfunctional legume

Her heart feels heavy and there are tears behind her eyes. Her whole body hurts. The sensation is all-consuming. The future is knocking and she doesn’t like what it’s carrying. Unlike before, this is not an adventure or an illustrious trip: it’s an about-turn; a reversal of trajectory, heading face-on into a familiar undesirable she thought herself to have fled.

Attempting to alleviate the uncomfortable, she throws it over her shoulder until it’s far enough away to ignore, delaying its revival until a more convenient time. In the interim, she invents a new project: at least preoccupied, there will be less room for thinking and her thoughts, if any, will be of minutiae.

For a subject, she picks an orange gourd: a week shy of Halloween, pumpkins are as good a theme as any. They are also an apt symbol, being concerned with ghoulish things. What better vessel for her demons than a vegetable with limbs?

by Rebecca L. Atherton
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Footprints more durable than memory

imageStanding too close to the edge, time was running out, each new day crossing one of those remaining out. Soon there would be more trailing behind than leading ahead. And in saying goodbye to right now, she would be colliding with a back then she had fled: a space without warmth, security or comfort. In looking to escape, she had become trapped, and the noose about her neck rubbed.

It was a cruel quirk, an uncanny twist, an uncalled for punch, one of those things that just seemed to happen… only mostly to her. Other people sped past: collecting points, accumulating assets, building solid lives filled with substance, stability and structure. While she, on the otherhand, remained stuck, struggling to get her knee to accommodate the slightest incline.

The clock on the wall ticked. The rafters grew cobwebs. Time sped, leaving footprints more durable than memory. Summer faded and autumn arrived, laced with the unpleasant threat of a lonely winter. People packed up. Birds migrated. Animals collected food and disappeared below. The sky darkened. The clouds gathered. The moon wept and the stars fled. It rained and didn’t stop, and the field on which her house sat became a swamp. A beast with nine toes moved in, its cries keeping her up. Aware that it suffered a similar plight, she went to visit it daily, feeding it scraps from the table.

While those in front dwindled and those behind grew, it gradually dawned on her that it was necessary to make a plan. To continue to wander was irresponsible and dangerous. To arrive without a template, worse. Regardless of the motivation that initially inspired it, she needed a place to accommodate the boxes that had come into her possession along the way.

Dragging a large rock from the garden out back, she scratched her ideas into its stony surface, carving out cavities inside of which her secrets could fall asleep safe. She spoke to it, sang to it, wept over it and embraced it, decorating it with leaves, moss and the petals of dying flowers. She kept it warm, watered and dry. Somewhere along the line, she fell in love. And somehow, the deeper she fell, the darker it got, the more excited she herself became, until one day she found that she could face the straight line without buckling or crumpling.

The rock had strengthened her resolve in ways that the monster had not – stirring her spirit, moving her soul, mending the pieces that had broken or cracked. With those she could count on in short supply, their location scattered, she thanked the Universe for sensing her need and seeing fit to send it her way.

by Rebecca L. Atherton

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Empty cups

imageUncertainty wakes, rises, puts on a dress, washes her face and administers makeup; moves from the bathroom into the hallway, on to the kitchen, where she is blinded by light. Last night’s dinner sits in the sink, stale and menacing, covered in ants: creatures that smell a meal on washed-up plates, dine for hours on empty cups.

Indecision joins her, filling the kettle with tepid water, placing it on the hob to boil, taking four slices of factory bread from the artificial sheath that contains them, slipping them – slowly, carefully, ever so securely – into the metal contraption that cooks, painting their surfaces caramel brown and various shades of black.

The light flickers, the kettle whistles, the toaster clicks. There is comfort in action, reassurance in order.

Anxiety enters on impatient feet, circling, pacing, crying out in tones are far from dulcet, bereft of endearing; although her mother might love them, perhaps?

Uncertainty sighs and moves to the cupboard, extracting a plate and a bowl; taking a packet of something vaguely meaty, pouring it in; filling the empty hollow with dried-up balls that chime as they connect.

Setting it down with a tap like the rapping of fingers, the patter of rain, she begs a window of space from the creature that hounds her. The air, however, has other ideas. It hisses and cracks.

As she searches for purpose and meaning inside a present that is deceptively labelled, longing for a destination which manages to be both familiar and exciting at the same time; Indecision deliberates the tangle of life, feeling bitter and cheated, freshly abandoned.

Meanwhile, Anxiety circles, carving rivers of worry into the floor.

by Rebecca L. Atherton

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Cats Feet

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She wakes to a fresh opportunity: wide, open, yawning with room. Like the soft silence of cats feet, the hushed whisper of secrets, the calm that floats upon the aftermath of a storm: space to get up, stretch, run around.

Lifting a hand – raising first one arm and then the other – she embraces it, pressing it to her breast, pulling it against her chest. Then, heart sated, she rises – slowly, reluctant to alter her perspective lest she shatter the transformation that appears, overnight, to have changed the world in which she exists.

Sunlight warms a patch on the floor – grey, concrete, habitually cold. Departing the rug – sheepskin, white, once sleek, now matted beyond repair – naked feet set out across unobstructed terrain, padding lightly down a hallway, through a sitting room, past a bathroom that doubles as a corridor into a kitchen beyond. There, stopping, a head looks up, casts two eyes at a window, implores the body corresponding, belonging, attached, to respond, walking towards it with haste. Reaching, opening, feeling, inhaling: fresh, fragrant and full. She is in love with summer; it is a recent discovery and she cannot get enough of it, of what it means. To lie baking on a lounger beneath a clear blue sky, turning first golden and then cinnamon brown; to swim – initially clothed and then partly and then not at all – in an outdoor pool used only by her; to play music – loud, to stay up – late, to cook and eat outside, to sleep without hinderance from a duvet; to hear the chirrup of crickets, the buzz of bees, to see bats cast shadows across a yolken moon; to watch it wax, wane: new, precious, vital. To have to part with it, to be forced to bid it goodbye, farewell: inconceivable. And yet she must, and soon, for September beckons, threatening a slow return to all she has sought and still most ardently desires to evade.

So the letter – encased in Manila; pocket-sized, informal, handwritten – piques her interest. Inside unknown, it could represent anything: an invitation, an announcement, a job offer, an unsolicited proposition of love – and because of this there is a reluctance to break the seal, to release the contents. She cannot bear, for now, for the moment, for the first few breaths of the morning that feels so full, so alive, so pregnant, to shatter the dream. To go back, to return, to stay and to slowly be swallowed: too painful for her.

A heart flutters, a soul flaps its reply, a mind adjusts itself to the possibilities – considering every angle, exploring all corners, climbing the visage of walls, exposing the flat expanse of floors, lifting up planks and probing beneath. Good, bad, ugly; meeting, greeting; considering, contemplating; accepting, rejecting; embracing, fleeing: so much to accommodate, so little to satisfy, such a small window of hope.

The phone rings, pulling her up, out, into the room and back into her body. Leaving the letter, she descends: feeling heavy; aware again of the inconvenience of weight and the intrusion of sound. Feet crash, soles slap, knees creak and ankles click. She is getting old: the lines on her face, the grey in her hair, the recent sag of certain formerly-pert bits – breast, belly, butt – proving it. Time flies, regardless of whether you are having fun. Hours pass, slowly but surely; ignorant to feelings, untouched by pain. It’s all the same to them: tick, tock, flik, flak; round and round, evolution after revolution. To the world: she is nothing; less significant, even, than a speck of dust, a smear of dirt, a drop of water stolen from the middle of an ocean. But to her: that envelope, that morning, mean everything – hope, escape, salvation, survival. To crush it, that, would be to crush the happily ever after, killing the naïve notions that she has always clung to, polished, nurtured and insisted upon growing up: the staunch belief that one day her prince will come, that together they will cross over, stepping across a veiled threshold, walking beneath a fading rainbow, descending into coral shadow to embrace vanilla light.

by Rebecca L. Atherton

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Invisible Clouds – prose

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On the terrace, I watch the moon get swallowed and then spat out, passing through the belly of invisible clouds. It’s late and the sky is black.

Overhead, a plane roars, briefly drowning out the drone of crickets. The wind stirs, making several twigs snap.

Inside, ants surround the sink, descending on crumbs I forgot to clean up. Their perceptivity fascinates me, but I am tired of murdering tiny creatures.

I do not understand this place – the moon, the crickets, the ants: acting on impulse, driven by instinct. Subject to the whim of emotion, ruled by my own dark tides: I covet their simple lives.

by Rebecca L. Atherton

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Yesterday’s desire. Tomorrow’s heartache.

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Arriving at the beginning, she feels frustrated. How many times has she travelled this way, circling the exact same landscape, weaving in and out of similar trees, meeting and greeting familiar people? Despite having lost count, she knows it is too many. Only a fool would keep repeating the same mistakes, failing to learn, not just from what has already been, but what has been and been despised.

Feeling the twist of loss, she rushes cobbled pavements, ignoring the blade in her foot and the furnace that surrounds her, drawn on by the possibility that life will call her bluff and people surprise her. She knows her wish is futile, her hope naïve, but she continues to dream regardless. A romantic soul with a lonely heart, she always looks on the bright side, attributing to events the benefit. Only when it comes to the weather, which belongs to another being far greater than she, does she doubt. Dreaming is what she excels at, what spurs her on, what allows her to continue, even in the face of it.

She arrives in a puddle of heat, immediately losing half of her dignity to the floor beneath her feet. The other half following, the moment she opens her mouth. An inconclusive reply in her mother tongue, a tongue different to that indigenous to here, further proving just how terrible her grasp of the language is; although she was understood, which must (surely) count for something. It does, doesn’t it? The important thing is that she tried and that she keeps on trying, like with her dreams. At some point the world will feel sorry for her and grant her her reward. She waits, her hands prostrate.

The bathroom, the scene of the crime, is empty. Slowly, she peels open the door, steps inside, catches the light, disturbing a band of neon overhead. To her surprise, her heart’s desire is exactly where she left it, looking forlorn, face to the wall. She snatches it up, lifts it to her mouth, gently kisses it, welcoming it home; then presses it to her breast, where it fits exactly: the final piece of a complicated puzzle.

Returning to the threefold space, a space functioning as entrance, centre and exit, too many jobs for anything so humble to do with any real success, her cheeks flushed, her eyes sparkling, her lips curved, she expresses her thanks. In the city centre, finding anything that has been left, forgotten or mislaid is unusual, unless that thing belongs to another and is part of their heart’s ache. She decides she must have a guardian angel after all and makes a note to correct her parents, who harbour more formal views. That means that God does exist, the Tooth Fairy is real, and elves can and often do live amongst the flowers and the plants at the bottom of the garden. Now isn’t that so much nicer than worshipping the shrine of insignificance, holding fast to the belief that we are all alone?

by Rebecca L. Atherton

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