Things that go bump

imageOk, so this was supposed to have been finished days ago and written well in advance of that. And it was supposed to have had an article, poem or story accompanying it. It was also supposed to have been lighthearted and fun, the rhythm of the needles, feel of the yarn, inner guide (I guess my muse) calling the shots. But, somehow, time got the better of me (as it so often does) and the days, initially extensive, got swallowed up by demands.

Still, in amongst the clearing, cleaning, throwing, folding and packing, my fingers managed to steal fragmented moments, drawing on the rejects from minutes and hours. Taking advantage of these in-between times (mostly while waiting: in the car, in line at the supermarket, for doctor’s and vet’s appointments, etc.) I even broke a cardinal rule, knitting and stitching through farewell coffees and last lunches with friends.The result (as seen above) is a piece that could have been better and should be complete. But I’m not done yet. I thoroughly anticipate my hate melting away to make room for love, my edges softening, for I have learned that with creativity, or creativity as it pertains to me, it is necessary to keep working, trusting and believing that the path travelled is the one intended, the one drawn in the future by powers I can’t ever hope to fathom or expect to see.

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A vegetable with limbs

imageI keep a journal and have done for years – more than I care to remember, certainly more than I can name. I carry it everywhere, always. It lives in my bag; or rather, it has a special place there, regardless of practicality and space. Even when I am weighed down – which (often) I am: with shopping, with iPad; with wallet, keys and phone; with dog and dog paraphernalia, etc. – it is still there, just in case. For to need it and not have it handy, to be full of words with nowhere to put them, is bad, leading to all manner of catastrophe – catastrophe with consequence, catastrophe with fallout, catastrophe with limbs, ones that extend far beyond the confines of literary waste.

The problem is that for weeks, maybe longer (like months), I haven’t written a thing, or hardly, and when I do, what comes out is stilted and forced: it physically pains me to put it there and it is hugely disappointing to read. Which then wreaks havoc with my self-esteem, chipping away at my already depleted levels of self-love and inner worth.

More fickle friend than faithless ally, writing is a tricky beast – inflating then dashing, furthering then sabotaging, all nib adventures and inky dreams. I preach its benefits, for done therapeutically it is capable of wonderful things: pulling out and extracting badness; reflecting innate truths; revealing deception, both personal and circumstantial; problem solving, untangling, translating, etc. What is revealed can then empower, inspire, fuel and motivate, gently encouraging our damaged and shy selves into action, activity that maybe we have or would have otherwise avoided. Used for gratitude, gladness, it, our written word, reminds us to be thankful and to see the good in our lives, the things we have that maybe others haven’t or the things that, in bad times, hold us up. As a vessel, it can be a potent tool, vital as a spousal relationship, familial support, like-minded acquaintances and friends, the right therapist. Depending of the severity of one’s malaise or life malady, it can even be a substitute for drugs (although it should not, ever, be self-prescribed).

I carry my journal anyway, even though I am not currently using it, even though I cannot write right now, refusing, stubbornly, to give up. I take it out each time I work, seating it by my side. It accompanies me on the bus, the train… It sleeps in my bedroom by my head. Given the choice, I would pick it over most other things. Despite the nature of our friendship, my loyalty does not waver. Nor does it question or doubt. In time, the words will come: I know this, because they always do. What I don’t know is when and how.

I would like to believe that it will be soon and that, when it does come, it will stay, for the thought of going through this transition (which is now imminent) without it, without anything creative, terrifies me. I need my routine. I need to be able to disappear, losing myself entirely, blotting out or reducing everything remotely threatening or external, everything dark and damaging, everything cold and grey.

Yesterday, I had a meltdown. And while it pains me to mention it, I feel that I must, if I am to climb out of the darkness and back into the light. The closer we get, the more unavoidable it becomes, the stronger the feelings inside: fear, frustration, reluctance, anger, pain, heartbreak, doubt… I am stuck in the middle of a road. It has three lanes and the traffic is fast-moving. In the distance, a car approaches, gaining ground. Engine roaring, lights glaring, horn honking, its driver attempts to motivate me. And even though I know that I must move, that to remain would be detrimental, devastating, I am a vegetable, unable to manifest even the smallest spark of life.

I’m sure the living will be less of a nightmare than the imagining, at least this is what I tell myself. And I don’t doubt that, looking back, I will laugh at my cowardice (at least, I hope I will). I also hope that when I get there I will nest, planting roots in places I haven’t even pictured yet. It is my deepest wish to grow, expand, experiment, explore, reach out and collect information and experiences. And while I cannot possibly predict what the future will bring: I know that it is a necessary evil; that progress cannot be made without change, goals achieved without challenge and peace attained without first navigating the muddy trenches of antagonism and conflict.

So while I may not be writing well in terms of literary excellence. And while I may be failing entirely in terms of writing for emotional wellbeing and health. I am still writing here. And here, whether I am brave enough to publish it or not, is a ritual I repeat like prayer.

by Rebecca L. Atherton

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Morning has broken

imageLast night’s dinner covered in ants.
The metal contraption that cooks in various shades of black.
Dirty plates, empty cups.
A girl with broken eggshells in her lap.

The snake of uncertainty.
A spider without legs.
A dust mote, a cockroach,
a senile cat.

The hive of a head.
The blue beneath.
Paper birds.
Hide and seek.

Tripping over objects.
Impatient feet.
The man in the photograph.
A final receipt.

by Rebecca L. Atherton

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The Reluctant Robin and the Blue Bud

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This piece is part of a new series I am making, entitled Square Pegs. It is based on the following concepts:

1) the suggested tension square accompanying almost every pattern (something I rarely do and so have decided to practice)
2) patchwork quilts – old, beautiful and steeped in tradition
3) my own obstinate peg, namely accepting and embracing it

In knitting square after square, working within the security of a fixed environment, I hope to provide an outlet for life’s challenges, honouring the cuts and scrapes by transforming them into objects of beauty; the idea being that these small squares, with their individual narratives, come together to form a whole that tells an entire story.

This is the second piece in my collection. I have called it: The Reluctant Robin and the Blue Bud.

~

The robin was reluctant to admit to his part in the affair: the things he had done, the words he had said, the actions he had taken and the others he had withheld; things which, collectively, had led to the arrival of the blue bud – a despondent bloom who did nothing but weep, crying over today as if it were the last day on which it were possible for such things to be shed. Such was the weight of his woe, he had quite saturated the garden, coming very close to drowning an earthworm and several small slugs.The robin sighed: how did one deal with such a creature? Should he approach with a handkerchief and attempt to wipe the stain from his nose? Or should he prepare a pot and serve hot tea instead? Whatever… whichever… he had to do something: the pathetic plant was driving him mad. Besides, he didn’t have time to indulge the dramatics of others, not when he still had so many of his own.In addition, to further complicate, he had been raised to see all forms of weeping as weakness and displays of emotion as frail. Tears were for the faint-hearted: those who couldn’t function adequately or competently cope; the type who were afraid to go far and who would be fated to fail if ever they should. To show oneself in the company of strangers (most of whom would likely always stay that way) was both unadvisable and unwise. They might haul you in and examine your head, ply you with medication. They may even lock you up: the bud was obviously unstable, in need of help; anyone could see that. But he wasn’t about to be the one to give it: not now, not after so long… and he resented the feeling that was trying to make him believe he should.The sun rose slowly, breaking through the cloud blanket, weak rays caressing the darker, still shadowed landscape. It woke the robin, gently tickling his eyelids. It roused the bud too, evicting it from its respite. With reluctance, it awoke. Lifting its head, it turned its face to its only companion, attempting a smile. Then, failing – as entirely as one might manage to fail when attempting a venture whose outcome they had vested an amount of energy and interest in – it looked sadly away. It knew it had to do better, figure something out. But how did one attempt to wrestle the weight of the world, placate the paralysis of problems? Did one? Could one? It wasn’t sure.

Uncharacteristically moved, the robin asked if it was hungry and offered to get breakfast in.BWhile he was away, most likely foraging in another farmer’s field, the bud decided to confront the intruders, attempting to deconstruct the darkness in order to remove it from his life. Lifting a leaf, he poked and prodded in the space around his head, believing the problem to be in his stamen. But when he brought it back out, it was empty of defect and blight.CRefusing to give up, he tried his roots, pushing another leaf down into the soil. Jackpot: immediate resistance: a creeping, crawling, carpet-skinned thing that felt like it was made up of hundreds and thousands of creatures. Ants? Beetles? Bugs? How undignified. And how horrific to have the source of his malaise situated there, somewhere so far from his immediate person and in a region he couldn’t ever hope to visually reach?9The robin returned, presenting a slug. The bud faked grateful, forcing a smile, surreptitiously sliding the odious thing away. Didn’t the robin know that slugs were poison to buds, likely to remove whole chunks from leaves and half bites from heads? To eat it would lead to his destruction: a slow crunching and chomping from the inside out; him disappearing – bit by bit, cell by cell – until he was dry, brown and brittle, a hollow shell.Or maybe that was the plan? And if it wasn’t, then maybe he should adopt it? At least then he would have a choice. And being eaten by a slug was less intimidating and worrying then being possessed by beetles and ants. At least it would be quick.11The ants, on the otherhand, wishing only to torment, would stay – hanging around to forage and bring back to; running up and down, in and out; hiding, holding – until he found another conclusion to escape the confines of his life.

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No man’s land

image
The stupid little car had a habit of letting her down, right when she needed it the most. Take this morning, for instance: she had an important meeting to get to followed by lunch with a friend, and yet here she was in the middle of nowhere waiting for a man in a yellow suit to show up. It was almost as though someone had it in for her. Although, after everything she had been through, she somehow doubted that.

Perhaps the car was worried she’d leave it behind when she left, the cost of shipping outweighing the cost of replacing it at her destination? Or perhaps the country was trying to keep her, albeit treading water in a halfway, half-real, no-man’s land? The irony had not escaped her. As much as she was reluctant to return to the past, for she had good reason to leave it, she needed this transition in order to progress. Without it, she would be trapped indefinitely, sinking deeper and deeper into a hole she lacked the energy to vacate.

by Rebecca L. Atherton

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A dysfunctional legume

Her heart feels heavy and there are tears behind her eyes. Her whole body hurts. The sensation is all-consuming. The future is knocking and she doesn’t like what it’s carrying. Unlike before, this is not an adventure or an illustrious trip: it’s an about-turn; a reversal of trajectory, heading face-on into a familiar undesirable she thought herself to have fled.

Attempting to alleviate the uncomfortable, she throws it over her shoulder until it’s far enough away to ignore, delaying its revival until a more convenient time. In the interim, she invents a new project: at least preoccupied, there will be less room for thinking and her thoughts, if any, will be of minutiae.

For a subject, she picks an orange gourd: a week shy of Halloween, pumpkins are as good a theme as any. They are also an apt symbol, being concerned with ghoulish things. What better vessel for her demons than a vegetable with limbs?

by Rebecca L. Atherton
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Spilt Milk and Tomato Ketchup

image
The anger burnt her tongue
and her stomach churned violently.
Her mind disengaged.

He used to love her more than his ipad,
pay her more attention than his phone,
but she had given up on that.

Their keys were cracked, faded;
their screen was smudged and scratched;
their battery redundant.

If he were Pinocchio,
he could have planted trees with his lies;
there would have been hope.

As it was, there was nothing for it,
save stepping off and diving.
But could she swim?

by Rebecca L. Atherton

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His part in the affair

imageThe robin was reluctant to admit to his part in the affair: the things he had done, the words he had said, the actions he had taken and the others he had withheld; things which, collectively, had led to the arrival of the blue bud – a despondent bloom who did nothing but weep, crying over today as if it were the last day on which it were possible for such things to be shed. Such was the weight of his woe, he had quite saturated the garden, coming very close to drowning an earthworm and several small slugs. The robin sighed. How did one deal with such a creature? Should he approach with a handkerchief and attempt to wipe the stain from his nose? Or should he prepare a pot and serve hot tea instead? Whatever, whichever… he had to do something: the pathetic plant was driving him mad. Besides, he didn’t have time to indulge the dramatics of others, not when he still housed so many of his own. In addition, to future complicate, he had been raised to see all forms of weeping as weakness and displays of emotion as frail. Tears were for the faint-hearted, those who couldn’t function adequately or competently cope, the type who were afraid to go far and who would be fated to fail if ever they should. To show oneself in the company of strangers (most of whom would likely always stay that way) was both unadvisable and unwise. They might haul you in, examine your head, ply you with medication, lock you up… The bud was obviously unstable, in need of help. Anyone could see that. But he wasn’t about to be the one to give it, not now, not after so long… and he resented the feeling that was trying to make him believe he should.

The sun rose slowly, breaking through the blanket of white, weak rays caressing the darker, still shadowed landscape. It woke the robin, its glare gently tickling his eyelids. It roused the bud too, evicting it from its temporary respite, causing it to shudder and twitch as, with reluctance, it awoke. Lifting its head, it turned its face to its only companion, attempting a smile. Then, failing, as entirely as one might manage to fail when attempting a venture whose outcome they had vested an amount of energy and interest in, it looked sadly away. It knew it had to do better, figure something out, but how did one attempt to wrestle the weight of the world, placate the paralysis of problems? Did one? Could one? It wasn’t sure. Uncharacteristically moved, the robin asked if it was hungry and offered to get breakfast in.

While he was away, most likely foraging in another farmer’s field, the bud decided to confront the intruders, attempting to deconstruct the darkness in order to remove it from his life. Lifting a leaf, he poked and prodded in the space around his head, believing the problem to be in his stamen. But when he brought it back out, it was empty of defect and blight. Refusing to give up, he tried his roots, pushing another leaf down into the soil. Jackpot, immediate resistance; a creeping, crawling, carpet-skinned thing that felt like it was made up of hundreds and thousands of creatures. Ants? Beetles? Bugs? How undignified. And how horrific to have the source of his pain situated there, somewhere so far from his immediate person and in a region he couldn’t ever hope to visually reach?

The robin returned, presenting a slug. The bud faked grateful, forcing a smile, surreptitiously sliding the odious thing away. Didn’t the robin know that slugs were poison to buds, likely to remove whole chunks from leaves and half bites from heads? To eat it would lead to his destruction, a slow crunching and chomping from the inside out, him disappearing – bit by bit, cell by cell – until he was dry, brown and brittle, a hollow shell. Or maybe that was the plan? And if it wasn’t, then maybe he should adopt it as such? At least then he would have a choice. And being eaten by a slug was less intimidating and worrying then being possessed by beetles and ants. At least it would move on once he went away. The ants, on the otherhand, wishing only to torment, would stay, hanging around to forage and bring back to, running up and down, in and out, hiding, holding, until he found another conclusion to escape the confines of his life.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

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Empty cups

imageUncertainty wakes, rises, puts on a dress, washes her face and administers makeup; moves from the bathroom into the hallway, on to the kitchen, where she is blinded by light. Last night’s dinner sits in the sink, stale and menacing, covered in ants: creatures that smell a meal on washed-up plates, dine for hours on empty cups.

Indecision joins her, filling the kettle with tepid water, placing it on the hob to boil, taking four slices of factory bread from the artificial sheath that contains them, slipping them – slowly, carefully, ever so securely – into the metal contraption that cooks, painting their surfaces caramel brown and various shades of black.

The light flickers, the kettle whistles, the toaster clicks. There is comfort in action, reassurance in order.

Anxiety enters on impatient feet, circling, pacing, crying out in tones are far from dulcet, bereft of endearing; although her mother might love them, perhaps?

Uncertainty sighs and moves to the cupboard, extracting a plate and a bowl; taking a packet of something vaguely meaty, pouring it in; filling the empty hollow with dried-up balls that chime as they connect.

Setting it down with a tap like the rapping of fingers, the patter of rain, she begs a window of space from the creature that hounds her. The air, however, has other ideas. It hisses and cracks.

As she searches for purpose and meaning inside a present that is deceptively labelled, longing for a destination which manages to be both familiar and exciting at the same time; Indecision deliberates the tangle of life, feeling bitter and cheated, freshly abandoned.

Meanwhile, Anxiety circles, carving rivers of worry into the floor.

by Rebecca L. Atherton

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South of the Border

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I rusticate south of the border,
a spider without legs:
counting fields,
collecting lanes,
navigating shadows so complete,
even at 8pm I am alone.

by Rebecca L. Atherton

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