Star light, star bright, the first star I see tonight

It’s mild out and I’m sweating in my coat, softly cursing my heatgen underwear, wishing I had had the foresight to check the weather forecast before committing to clothes. I’m also wishing I had packed my umbrella, another reason for checking Thursday’s intentions in advance of entering into her orbit, but it’s too late now, so I unbutton my coat, shed my hat and gloves and thank God for his kindness. In December, 14 degrees is an unexpected gift: I’ll not be condemning the horse or speaking ill of the dead, even if it does mean juggling extra pieces. I wipe water from my nose with a tissue and close my handbag; it’s spitting slightly and threatening to rain and the sky looks positively angry. In truth, I’m slightly scared. Ominous and oppressive come to mind; vindictive, also. I walk fast, hoping to make it to the station unscathed.

I cross Leicester Square, dodging commuters and eager tourists. Continue on to Embankment, where I pull out my Oyster, tap the gate, scan the map, turn (as per instructed) and descend, stepping almost immediately onto a train. The doors close and for four stops I knit, the strip in my hands extending, bit by bit. Two weeks in, it has advanced from single brown square to autumn quilt, albeit a small one, housing a bunny rabbit, two carrots, a ladybird and a branch. Organic, in charge of me rather than me in charge of it, I have no idea what comes next: a flower, a moon, a person, a dog…? At the end, there will be a message; there always is. I am keen to read it. I used to check my horoscope and consult the cards, translating from a ‘how to’ book. I also analysed leaves, pulling shapes out of cups. But creativity is better: harder to decipher, perhaps, but more insightful and based in fact. My novels held messages about where I ought to go and where, as a result, I’ve travelled since. My poetry, too; warning and guiding, if only I had been open to seeing and obeying when it was relevant.

At Sloane Square, I finish my row and bag my needles. Then it’s up and off and through another barrier.

Outside it’s dry and quiet, a scattering of people queuing at a newsstand, several taxis speeding by, the odd bus… I take out my phone and check the time: if I’m quick, I can grab a coffee; I could use the pick-me-up as I’m feeling tired and the ‘no light’ does strange things to me. Fresh out of bed, I’m not yet sure what kind of a day today is, but if the last month and a half are anything to go by, it won’t be great; I don’t want to tempt fate by starting on a backfoot. It will also act as a shield against what’s to come if it turns into an ambush or becomes in any way uncomfortable: after Friday’s disaster, I’m on edge; I’m also nervous. In truth, I’d rather not be here but I made a commitment and a bad day or a bad day last week, isn’t enough of an excuse to deny myself a potential opportunity that, in the long run, I should appreciate. I’m dipping and dabbling, sampling and savouring, endeavouring to fix the broken and right the wrong. There will be mistakes. There will be disasters. There will be injuries and things that ache. But it is by being open and by doing, by absorbing and by experimenting, that we learn. Curl up small, attempt to shut it out, retreat and withdraw and reverse into relative silence: and it all stops: movement, action, improvement, progress, healing, happiness and health.

Coffee in hand slightly later than planned, I rush towards my destination; turning sharply onto a quiet street, slipping through a peeling gate, stumbling down mossy stairs. Nose running, coffee dripping from my coat, late: I’m flustered. Now I wish I’d carried on walking or bought camomile tea instead – it wouldn’t stain and there would be no frantic mopping up, later attempted washing, need to visit the dry cleaners… Cost aside: I’ve nothing else to wear in between. A dress and a cardigan; a skirt and a jumper, don’t quite suit. Even with gloves, a hat, a thick scarf, etc., I will be freezing.

But all of this is tissue paper and beside the point. What’s important is yesterday and how that made me feel and how I feel today, still, as a result: positive, alive, strong. Which, after everything I’ve endured, everything I’ve done, everything I’ve suffered and everything I’ve survived, is a miracle.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Bitter-sweet

imageLast night it rained and it’s damp out this morning but milder too, which is a relief: I take my pleasures wherever I can find them these days, giving thanks for things I ordinarily would have dismissed. It’s strange how the weather, usually my top concern, is so far down my list and it has not escaped me how ironic this is.

It’s not that dissimilar to our house being trashed when we were employing someone to look after it; or us having to move because, despite having payed over the odds to secure a brand new luxury apartment from a top end agency, we have inadvertently ended up living above a nightclub in an environment that defies sleep; or my partner coming here to set up and attend important meetings and work one-to-one with clients and having to improvise on the go, meeting them in cafés and falling back upon his phone; or his phone (iPhone; unreliable, useless), important to his livelihood, slowly breaking, missing calls, cutting out and failing to ring, refusing, without headphones, to transport his voice; or his having his card cloned and used in Cambodia and his bank accidentally cancelling the wrong card because the clerk was also based somewhere like Cambodia and didn’t understand English beyond the scope of his script; or that leaving us high and dry until a new card could be posted and not having an address to post anything to; or looking forward to Christmas and going overboard with the decorating, only to realise that by the time we move decorating will be irrelevant as it will most likely be January; or wanting light in the mornings and evenings but not being able to open the blinds because there are always people talking, smoking, working outside; or eagerly anticipating cooking again after a break of three years only to discover the kitchen has also taken a vacation from which it is yet to return, limiting, in the meantime, all culinary endeavours to cold, ready-to-serve bits; or missing people who, upon seeing, you remember you needed to dismiss; or selecting and provisionally committing to courses – in psychology, in expressive therapy, in writing and in art – and not, because of everything that has been going on, keeps going on (relentlessly, endlessly), being able to afford it.

It continues, on and on… the duration endless. But I think the point is that there is so much happening and so much that is different from the intended plan, the direction of desired action, that the smaller things – like the temperature and the weather, the state of my nails and hair, the cold that won’t budge no matter how much I shove it – become insignificant. They’re just there, like traffic and people and cafés and shops. If you care to notice them: they are willing to share. But if you don’t, they won’t beg you for change like the people sleeping in doorways and corners every- which-where.

So Bad Luck is following me like a black cloud, like a stupid suitcase, and Irony, it’s BFF, is trailing close behind. And these things: the black luck, the cosmic and situational irony… are things I am aware of and things I am, for the most part, managing to fend off. It’s the flat that’s getting to me, as well as how not having a place to rest affects my partner’s mood. I am not a fan of Mr Unapproachable And Sharp-Edged and that’s who I am living with; along with Mr Mad As Hell, Mr Drop Dead Exhausted, Mr Snore The House Down, and Mr Drink Until I Fall Over. As for me: I’m guessing I’m Ms Cry too Much, Ms Trip And Stumble, Ms Emotionally Unstable; Ms Can’t Sleep, Can’t Think, and Ms Come And Save Me: Anyone, Everyone… Or perhaps things aren’t so bad and I am just exaggerating? All I know is that I was so tired last night, I got lost again; which consequentially so overwhelmed me that I retreated into the first safe place I found, nursing a coffee until my partner (for once a different kind of Mr – Distracted instead of Dangerous) came to my aid. That’s not me. That’s not normal behaviour. That’s not how I want or intend to operate: not now, not anymore, not again.

Since we’ve been here, it’s been bittersweet: one step forwards, two steps back; to the extent that we are both emotionally and physically drained. We look a mess, sound a mess, inhabit a mess and, like a magnet, draw additional mess towards us: lots of it, in fact. If mess were a good thing to have and collecting it advisable: we would be doing great. As it is, we are running to keep up and gradually breaking in the process.

If there is a God; if there is a Universe; if Fate is real and Karma deserved… do we not deserve a break? We are good people. We are trying to be even better. We care and we help and we share and we give. Have we not suffered sufficiently, experienced enough, to know and remember what suffering and disaster and heartbreak and trauma are all about? I would like to think so but I am not in charge of the natural order or the current state of things. So I sit and I wait and I listen and I learn and I try, as best as I am able, to endure it all with grace.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Bah, humbug!

imageThis morning I am sitting in a cafe in Covent Garden trying to collect my thoughts, and as I sit here – struggling to filter out the noise of cutlery and people, to shut London out: I realise a change in my environment.

Last week was endless, dragging on and on – days extending, hours stalling, minutes giving birth. I was miserable too: a complete wreck. The smallest things penetrated my barrier: a sudden noise, a busy street, raised voices, the rain… It was hard to cope and I didn’t smile. Clinging to what meagre stability I had – familiar places, friendly faces; my partner and my dog – I muddled through but with minimal success. I stitched, I knitted, I read and I wrote; only there was little enjoyment, anywhere. Life went about its business, the world span on its axis, and the challenges continued to manifest, blocking and stopping all progress in an upwardly mobile direction. I managed to occupy myself with groups and appointments – discovering, uncovering, meeting and making – but – exhausted, cold, overwhelmed and ill – the enjoyment I sought was withheld.

Today, it’s different: although I don’t know why.

Perhaps it’s knowing that the house is being repaired and that we don’t have to continue to worry about it? Perhaps it’s being released from our contract and given the chance to look for a new place to live? Perhaps it’s the viewing we have later on today and the possible solution to the problem? Perhaps it’s my cold finally reducing, so that the inconvenience is mostly just a running nose? Or perhaps it’s me slowly adjusting and accepting my fate?

England was never going to be a barrel of laughs. I wasn’t going to fall in love or jump up and down and declare out loud that I was blissfully happy: not like France, not like Mallorca. But I was supposed to survive without rewinding, and it was supposed to be easier and smoother.

Kicking the chain around my ankles, I curse my stupid suitcase for always following me. Each time I get knocked back, I get back up again; each time I trip, I think more carefully about where I next place my feet; each time I experience a disappointment, a rejection, a heartbreak, I reframe it as best I can: why then, with this repeated good behaviour, this conscious cognitive thinking, this paint-by-numbers approach to the bumps and the barriers, the stones and the rocks, am I still so far-removed from the cure?

Focusing on the positive – I’m alive, I have a roof over my head, a person by my side and a dog who loves me; aspirations, hopes and dreams: I determine to try harder.

And in the meantime, there is coffee, comfort, carols and candles. By no means a magic remedy, but it works for now.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

The moon underwater

imageWe sit opposite one another, each wrapped up in our own silence – yours hot, mine cold – juggling problems that refuse to be solved without the aid of phone calls, lawyers and threats. You are angry and your breath is red.

I’m angry too, but the weather has twisted my emotions so that my words are like water, hard to understand. Inside, bad things grow: a tree without roots, a plant with black leaves, strange-shaped flowers.

I listen to my body and it tells me it hurts, but with everything that is happening, I haven’t the will to care or the energy to do anything about it if I did.

Time extends. Days repeat. Hours drag. Mornings are difficult.

I get up. I go out. I walk until my feet ache and my legs collapse. If I’m lucky, I find somewhere to stop, but the closer it gets to Christmas, the harder it gets.

I break and I mend, over and over; and somewhere in amongst it all, I grow strong. Not physically, like Helen of Troy or Boudicca, but mentally like Sylvia Path and Anne Frank. And as my body bends – accommodating each trial, each tribulation, each trauma; each difficulty, burden and disaster; misfortune, misery and curse: climbing mountain and crossing ocean, traversing path and scaling tree – my mind repairs, reinforcing my character.

With this newfound strength, I begin to explore – finding comfort in strange places; only it’s fragile and cannot be relied upon. Monday’s bolt-hole rejects me on Wednesday. Tuesday’s womb is Friday’s cell. There are people everywhere, always, in festive jumpers and hats. Men parade as reindeer, women as elves. I can’t move for Santa’s and snowmen. They eat and drink, talk and shout.

Meanwhile, in the background there is a list: a house that needs repairing, a mortgage that needs paying, tenants to be sought and secured. And that’s on top of a contract that needs reversing, money reimbursing and a new apartment found. Plus, the few items of furniture we bought last weekend – in excitement, in hope, in anticipation… need returning to whence they came, if indeed they can go back; and our suitcases – half-full, half-empty; half-broken (one) – need to be repacked. After that: clients, courses, workshops, groups, jobs, opportunities, friends, etc. It’s a lot, so I try not to think about it.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Borrowed digits

imageDog tired. Bone cold. Kid sick. Sniffling and snuffling. Fighting, pushing, pulling and shoving. Pointing; the direction: anyone’s guess?

Walking, talking; whispering and muttering. Hunched shoulders, balled hands. Attention inwards. Heart concealed.

Feeling heavy. Hurting. Desperately seeking… Searching, for the point: all, any, everything, none. Attempting to locate myself – in crowds that bloat and swell. Carried along at breakneck speed: tripping and stumbling; spraining toe and twisting ankle, dislocating knee. Withdrawing – whenever, wherever, remotely possible. Using ‘said’ stolen minutes, snatched moments, borrowed digits, to calculate what from the previous whole is part of the hole that’s unravelling now.

Stumbling. Sinking. Slipping, stalling. Crying: morning, noon, and night. Holding myself together with yarn and thread; bits and pieces catching, bobbling, snagging, spooling off.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Tiny pleasures, snatched

imageYour coat, my scarf, thermal underwear. A hot bath, central heating, a down duvet. Blankets, socks, water bottles – worn in bed, never shed. A stranger’s shoulders, a child’s hand, a dog’s torso: tiny pleasures, snatched.

A cup of tea, a park bench, afternoon sunshine. Mulled wine, an open fire, pine logs. Shops, galleries, theatres, cafés. Museums, markets, buskers, bands. People, places. Arms, legs. Bags, umbrellas. Taxis, cars. Constant motion: the lo-comotion – only without Jason and Kyle.

You, me; us, them. Up, down; right, wrong. Left bereft: heart aching. Confused. Bruised.

Try hard: fail heavy. Fight for: come up against. Never-ending; constant bending: always. Bitten. Shy.

World: oyster. House: cave. Some day…

Returning backwards; landing sideways: upside down.

Your face: Billy. Mine: Peep. Lost… sheep without a shepherd, people without a God, a leader without a clan.

Stoop, whisper, tiptoe. Fold into, close off, shut down. Attempting invisible: achieving sunshine, only hostile and hot.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Writing about kittens

imageEvery day it gets colder – November creeping towards December, autumn slipping away. The temperature falls and my emotions correspond, obeying digits I had forgotten all about. On clear days, it’s alright; the sun, although weak, better than no sun at all. Today, wet, it’s different: my body literally freezing, my fingers and toes numb. Fumbling for things I can no longer feel, tripping over feet that have forgotten how to operate: my heart aches, pining a climate that’s suddenly so far away, it gets harder to recall.

Stealing clarity from my eyes, my head bleeds distorted images: featureless faces, blurred silhouettes. Signposts are ink splats. Information boards, written in a foreign script – their difference familiar, only this time my mother tongue escapes me.

Rain, clouds, puddles, people. A broken umbrella, a wet hat, damp feet. Shopping bags, pushchairs, rucksacks, elbows: in my face. Arms breaking, legs aching; feeling invisible. Everywhere I go: open doors, insufficient heating; traffic, crowds. Finding somewhere to sit and work: nearly impossible. Heat: hard to come by. I’m beginning to understand what it must have been like for the bards of yesteryear: the pains they had to encounter, the sacrifices they would have made. Not that it’s been easy up until now, but there have been seasons, consecutive, where circumstances were favourable. Coming back is a shock.

Looking to the future: I picture a warm flat, a comfortable chair, a large table housing a steaming pot, a lap accommodating a small dog, carols on the stereo, a body humming happily (industrious) in the kitchen; privacy, security, home-sweet-home. Rose-tinted and chocolate-smelling, it’s the ‘any day now’ to which I cling.

Winter is always difficult: I miss the light, mourn the sun. But it has its benefits… Christmas is the season to be jolly – if you’re in the right place, at the right time, surrounded by the hustle and bustle of material activity with a pound (or several) lining your pocket and time (plenty) to spare. There are markets, concerts, services, carols… Colourful window displays. Overhead lights. There’s panto and parties. Mulled wine and minced pies. Gingerbread men, candy canes, chocolate in boxes. Flowers, wreaths, decorations. Paper hugging assorted gifts: good, bad; pretty, ugly. And while it might be a superficial fix – attached only to the moment, the month; irretrievable once it has run itself out: it’s no less effective for it, proving as competent a plaster as alcohol, coffee and cigarettes.

In addition to that: writing about kittens, sketching snowmen, knitting Christmas trees… tiny pleasures that help.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

The question she was chewing on these days

imageTrying to keep the peace in a turbulent household is a full-time job, especially when surrounded by eggshells. One forgets how many landmines can be hidden beneath the floors, knives concealed underneath the smooth veneer of carpets and rugs; how much, in treading onto and then later exploding (albeit, by accident), they hurt. Having navigated a relatively uneventful path for a hand-span of days – commendable, given the circumstances – it was inevitable she would eventually slip up. That it had taken so long and gone so smoothly up until this point was what surprised her. At the end of the day, it all came down to leopards and dogs. You couldn’t repaint the sitting room, just because you didn’t like the colour. Nor could you rearrange the make-up of the stew, just because you were now a vegetarian. People were who they were. They looked and acted a certain way. After a lifetime of operating as such, they weren’t about to change for you or anyone else. And besides… life was a series of challenges, most irksome when you were already struggling. It stood to reason that there were additional bumps.

It had been a difficult summer: hard on the body, worse on the mind. There had been decisions, sacrifices, tests… They had had to prove they wanted it, and how much. Cross bridges. Climb mountains. There was loss, and cost. And it carried on costing. Even now – here, on the other side; standing, walking, running; somewhere in the middle of where they used to be and where they wanted to be eventually, where they were trying to get to when they figured it all out – they were hitting walls and coming up against barriers. If there was a God – a matter that, lately, had come up for dispute – he had a wicked sense of humour. Each morning as she walked across the bridge, the one just shy of Charring Cross, the one on the Embankment; passing the bible bashers with their books on Christianity and their poster asking: “does Satan exist?”, she had to wonder. Either she was being tested for something bigger, better, beautiful… that would eventually become clear – like daylight, sunshine; something she suddenly didn’t have much of. Or she was being sabotaged and thwarted by a tyrant. For now, she had no alternative but to go with the punches. But that didn’t mean she had to like it or pretend that it didn’t hurt. Her back ached, her feet throbbed, her shoulders screamed continuously. And as for her head and stomach… it was best not to go there. She was managing in much the same way as she always did: reverting to the tried and tested, resorting to medicating in imaginative and stereotypical ways. But it was a short-term fix. Sooner or later the facade would crack, causing her to crumble. There was only so long things like thoughts and feelings could be suppressed. Her backpack was heavy. Her suitcase dragged. It was high-time she unpacked.

A wet November morning, the edge of winter. A small cafe in a suburban town. Having been soaked by the rain as she attempted to save her dignity from foul things in the kitchen, she was hunched over and shivering, cursing her mediterranean excuse of a coat. While it might serve adequately in climates used to providing: it offered little by way of protection from the elements right now. Once it dropped below 18 degrees, it was basically useless: more frivolous accessory than practical attire. Why she had brought it in the first place, escaped her. Something to do with a cute shop, a bad day and someone owing her a gift. In that sense, it had served its purpose, removing a thorn that might otherwise have festered, dragging out the matter, causing yet more pain.

But what about the coat of now? How was she supposed to navigate the mean-time: the time in the middle, the time with its own agenda?

As she bit back the tears, cursing her skin for being so thin, her heart so pathetically fragile, she was involuntarily rewound, returning kicking and screaming to where it had all begun, the reasons for the adventure rising from the grave to press against her eyelids. She had fled, running away from it all, taking her almost entirely broken and still breaking as far away as she could. It had been an act of self-preservation. That it hadn’t entirely worked out, that it had tested her in new and unanticipated ways, was something she had then had to accommodate. But she had borne it all without complaint or hesitation, resuming vertical, relocating upright, glueing back together and replacing her cracked and chipped. Was there no end to the assault? Everywhere she went, every path she took, there seemed to be a new monster. What was that all about? And did it happen to everyone or just to her? That was the question she was chewing on these days.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

A skirt for a kitten

imageA skirt for a kitten.
A scarf for a cat.
A cardigan for a guinea pig.
A coat for a rat.

A jumper for a hamster.
A jacket for a dog.
A sock for a chinchilla.
A stocking for a frog.

A sheep in the garden.
A cow in the shed.
A horse in the kitchen.
A goat in the bed.

A mind in the gutter.
A mouth in the sink.
A finger in the cookie jar.
A toe in the drink.

An eye on the future.
An ear on the floor.
A foot on the ladder.
A hand on the door.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

The Clucking of Hens

image
“There is no point in trying to suppress the babble of words and ideas that goes on in most adult brains. So if it won’t stop, let it go on as it will, and listen to it as if it were the sound of traffic or the clucking of hens.” Alan Watts

It’s my last day. My flight leaves tomorrow. I’m packed, the boxes have gone, the dog has been to the vets for pre-flight jabs. And I’ve tidied, washed, ironed and cleaned, to the extent that the house feels empty. I am no longer here.

I am lying in bed beneath a blanket writing by candlelight. In the main room, a fire burns. Outside, its raining. It has been for hours. The shift I had hoped to avoid caught me unawares, materialising without warning. It’s winter now, properly; not sometimes or some days… Still, at least I will be better prepared when I land, which is something.

I’m not sure how I feel, as I’m doing my best to avoid thinking and feeling is strictly banned. I’m scared that if I pause for long enough for it to sink in, the everything that’s happening around me (which is pretty scary and big) will rise up causing me to drown. I have a tendency to suffer from overwhelm at the best of times.

To keep the monster at bay, I drink lots of camomile tea and dose up on sedatives – all herbal, mind. I move a lot, too – all nervous energy atop impatient feet.

Looking after my dog is helping; tending her agitation, aiding my own dis-ease. What she is suffering is bad enough: she sees boxes, cases; knows something is happening to her environment, chipping away at it, but she can’t quite explain what it is. Is mummy leaving? Is daddy going on a trip? Has she done something to anger or upset? Why are things disappearing: her blanket, her bowl, her bed? I know where she is. Being in limbo is uncomfortable.

I wish I knew what was on the other side, whether I will love or loathe it. I wish I knew how long it will take, the exact length of this interlude. I wish I could have a guarantee that if I hate it, if I am unhappy, I don’t have to stay that long. I wish someone could promise me that the temperature will be favourable, that there won’t be much rain and that the sun will always shine. I wish there were answers. In their absence, I have no idea where I am, how I feel, what is happening. Like my dog, I am confused.

I reach out my hand to those around me, looking to them for comfort, only to realise too late that they are only interested in subtracting. I lend my shoulders, my arms, my breasts… while my heart endures a battering. I need to widen my circuit, balancing the flow between to and from.

Tired, drained, I shrink back, taking refuge in the one place only I can find. It’s quiet and dark. Even in a busy cafe, nothing reaches in. Safe within the void, held by the flow, I find comfort. For now, it works.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

Go back

Your message has been sent

Warning

Warning.

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter