Spilt Milk and Tomato Ketchup

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The anger burnt her tongue
and her stomach churned violently.
Her mind disengaged.

He used to love her more than his ipad,
pay her more attention than his phone,
but she had given up on that.

Their keys were cracked, faded;
their screen was smudged and scratched;
their battery redundant.

If he were Pinocchio,
he could have planted trees with his lies;
there would have been hope.

As it was, there was nothing for it,
save stepping off and diving.
But could she swim?

by Rebecca L. Atherton

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His part in the affair

imageThe robin was reluctant to admit to his part in the affair: the things he had done, the words he had said, the actions he had taken and the others he had withheld; things which, collectively, had led to the arrival of the blue bud – a despondent bloom who did nothing but weep, crying over today as if it were the last day on which it were possible for such things to be shed. Such was the weight of his woe, he had quite saturated the garden, coming very close to drowning an earthworm and several small slugs. The robin sighed. How did one deal with such a creature? Should he approach with a handkerchief and attempt to wipe the stain from his nose? Or should he prepare a pot and serve hot tea instead? Whatever, whichever… he had to do something: the pathetic plant was driving him mad. Besides, he didn’t have time to indulge the dramatics of others, not when he still housed so many of his own. In addition, to future complicate, he had been raised to see all forms of weeping as weakness and displays of emotion as frail. Tears were for the faint-hearted, those who couldn’t function adequately or competently cope, the type who were afraid to go far and who would be fated to fail if ever they should. To show oneself in the company of strangers (most of whom would likely always stay that way) was both unadvisable and unwise. They might haul you in, examine your head, ply you with medication, lock you up… The bud was obviously unstable, in need of help. Anyone could see that. But he wasn’t about to be the one to give it, not now, not after so long… and he resented the feeling that was trying to make him believe he should.

The sun rose slowly, breaking through the blanket of white, weak rays caressing the darker, still shadowed landscape. It woke the robin, its glare gently tickling his eyelids. It roused the bud too, evicting it from its temporary respite, causing it to shudder and twitch as, with reluctance, it awoke. Lifting its head, it turned its face to its only companion, attempting a smile. Then, failing, as entirely as one might manage to fail when attempting a venture whose outcome they had vested an amount of energy and interest in, it looked sadly away. It knew it had to do better, figure something out, but how did one attempt to wrestle the weight of the world, placate the paralysis of problems? Did one? Could one? It wasn’t sure. Uncharacteristically moved, the robin asked if it was hungry and offered to get breakfast in.

While he was away, most likely foraging in another farmer’s field, the bud decided to confront the intruders, attempting to deconstruct the darkness in order to remove it from his life. Lifting a leaf, he poked and prodded in the space around his head, believing the problem to be in his stamen. But when he brought it back out, it was empty of defect and blight. Refusing to give up, he tried his roots, pushing another leaf down into the soil. Jackpot, immediate resistance; a creeping, crawling, carpet-skinned thing that felt like it was made up of hundreds and thousands of creatures. Ants? Beetles? Bugs? How undignified. And how horrific to have the source of his pain situated there, somewhere so far from his immediate person and in a region he couldn’t ever hope to visually reach?

The robin returned, presenting a slug. The bud faked grateful, forcing a smile, surreptitiously sliding the odious thing away. Didn’t the robin know that slugs were poison to buds, likely to remove whole chunks from leaves and half bites from heads? To eat it would lead to his destruction, a slow crunching and chomping from the inside out, him disappearing – bit by bit, cell by cell – until he was dry, brown and brittle, a hollow shell. Or maybe that was the plan? And if it wasn’t, then maybe he should adopt it as such? At least then he would have a choice. And being eaten by a slug was less intimidating and worrying then being possessed by beetles and ants. At least it would move on once he went away. The ants, on the otherhand, wishing only to torment, would stay, hanging around to forage and bring back to, running up and down, in and out, hiding, holding, until he found another conclusion to escape the confines of his life.

by Rebecca L. Atherton

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The Frog Prince and the Fairy Princess

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Once upon a time…

A long time ago, before either you or I were born; before, even, most of us can remember – not our mothers or our grandmothers, or their mothers and their grandmothers – there was a handsome prince. And, like many far-off fabled princes, he was spoilt and mean. He teased his sister, chased his maid, terrorised the kitchen staff, shouted at both of his parents; refused to attend school, whether home or otherwise, and spent most of his spare time (which, considering he rejected investing in anything that wasn’t directly relevant to him, was a lot) catching moths, dissecting butterflies, tormenting little kittens and stealing baby birds.

The prince who favoured the beast

The handsome prince

His family, being good God-fearing people, suffered his behaviour to the best of their ability, attempting to instil their beliefs and values into him in the hope that, eventually, he would change. And for a while, they genuinely believed that he would.

But as the years passed and he grew from a boy into a man, drawing ever closer to the time when he would, traditionally, inherit the kingdom: their concern grew, it’s toes extending into every corner.

Fearing the destruction of everything they held dear: the community they had built, the people they worked hard to protect, the landscape that not only inspired artists but attracted writers from miles around, they called in external help, turning to the one person they knew they could rely on. And while her ways were initially painful, often confusing and unusually harsh, they accepted that they were also always right.

The one person they knew they could rely on

The one person they knew they could rely on

So began a time of mourning, in which the kingdom wept a thousand tears and all who lived there learnt to pray for compassion and forgiveness.

Years passed and nothing much happened: the king turned grey, the queen grew plump, the staff became less vigilant and the townsfolk gradually withdrew, for, although they knew it wasn’t their fault, they couldn’t help feeling responsible for the way that things had turned out.

The frog prince

The prince, and what befell him

As for the prince: he grew into a man – bitter, twisted and resentful, all the worse for the feelings his punishment had evoked in him.

Hiding inside the palace walls, he survived the comments, whispers, stares and judgement by keeping to himself.

And then, one day, the king of Mercy arrived with his daughter, Grace, and the prince, who was now a frog, awoke, the beast inside him dissolving in an instant.

The fairy princess

The beautiful princess

Determined to win the hand of the beautiful princess, the not-quite-so-beautiful prince set about improving, first attending to his own (up until now) wicked ways, and then extending his efforts further into every attainable interior of the kingdom.

Slowly, the chill began to melt. Life returned, laughter resumed and, once again, love remembered.

And then a question was asked and a hole was created – inside of which, there existed everything.

by Rebecca L. Atherton

Wings and Webbed Feet

The straight and narrow

Wings and Webbed Feet

This piece was written to compliment a textile I have just finished working on. Click here to see how it was made and to find out more about it.

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A dark-winged moth

Like a dark-winged moth
coveting a flame that will surely kill her,
she sits just inches from the light –
a plastic monument
similar in shape to London’s Gerkin,
only smaller and many miles from the Thames.

The last time she went there,
London’s Southbank,
was years ago.
The closest she’s been since was dinner in Eton:
same river, different town;
an hour from the capital.

She wonders how much it has changed
and if it has missed her?
She wonders if any of her friends still live there
and which of them remember her when she did if they do?
She wonders when she will go back and if she ever will,
why she would want to?

She wonders why she wonders about things so much
when wondering only creates problems
she has no idea how to solve?
Wondering this,
she decides to stop;
only it’s not that simple,

and somehow,
wondering about the little things,
the trivialities,
helps stop her from thinking too much
about the things that really matter,
like family and friendship and love.

by Rebecca L. Atherton

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A little white Chihuahua

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While looking through my window,
I had a great surprise:
a little white Chihuahua
was floating in the skies.

I ran to fetch my camera.
It nearly was in vain,
for very soon she disappeared
and it began to rain.

by Howard Atherton

I have to credit my father for the above poem, as he wrote it for me as a present in response to one that I sent him. I was charmed and touched by it. So much so, I had to share it. I hope he forgives me for the impulse. I love you daddy.

Searching on Google, I found some more cloud dogs. Here are just a few of them.

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Invisible Clouds – poetry

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On the terrace, I watch the moon get swallowed and then spat out,
passing through the belly of invisible clouds.
It’s late and the sky is black.

Overhead, a plane roars,
briefly drowning out the drone of crickets.
The wind stirs, making several twigs snap.

Inside, ants surround the sink,
descending on crumbs
I forgot to clean up.

Their perceptivity fascinates me,
but I am tired
of murdering tiny creatures.

I do not understand this place –
the moon, the crickets, the ants:
acting on impulse, driven by instinct.

Subject to the whim of emotion,
ruled by my own dark tides:
I covet their simple lives.

by Rebecca L. Atherton

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Invisible Clouds – prose

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On the terrace, I watch the moon get swallowed and then spat out, passing through the belly of invisible clouds. It’s late and the sky is black.

Overhead, a plane roars, briefly drowning out the drone of crickets. The wind stirs, making several twigs snap.

Inside, ants surround the sink, descending on crumbs I forgot to clean up. Their perceptivity fascinates me, but I am tired of murdering tiny creatures.

I do not understand this place – the moon, the crickets, the ants: acting on impulse, driven by instinct. Subject to the whim of emotion, ruled by my own dark tides: I covet their simple lives.

by Rebecca L. Atherton

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Yesterday

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A series of overcast days has reminded me how important the weather is, how much I value the sun; how deeply I loathe the winter, the accompanying cold and rain. With the decline, I’ve felt my mood plummet, matching the shift point for point. I cast my mind back over the past few months: the light, the heat – and forgive the intensity of it; even the nights when I couldn’t sleep, the mornings when the closeness of it was oppressive, hard to bear. Better that than this. Better that than me sat here shivering, struggling to warm up, cold in August) of all things.

Claustrophobia descends, settling around my body like a dense cloud: a fog I cannot see through. Hiding in my room, I seek the comfort of literature, curling my mind into the words as I curl my body into a blanket. I sip ginger and camomile tea against a backdrop of white: walls that are still, even after over a year of living here inhabiting this space, waiting to be decorated; the reluctance to put down roots, to claim my territory, to settle – here, anywhere – is evident.

I question my resistance, the reason for it, attempting to list the benefits. Footloose and fancy-free seem to have become my allies. Little and nothing my mantra. It’s all a bit too zen and a lot too modern. I’ve never been minimalistic. In England, my home was filled with personal effects; the space was a reflection of me. Fabric birds hung from painted ceilings. Paper butterflies clung to knitted plants. China ornaments talked to tin toys. Picture frames reclined in alcoves and rested on shelves. Books lined walls, creating temporary tables on polished floors. Paintings, mostly by me, although some by my friends, hung everywhere. I belonged there: it was my nest. Here, it’s more like someone else’s space, my being here borrowing.

I decide that I need to make more of an effort and that I need to work harder on finding my happiness within. This becomes increasingly important as August disappears, each day passing bringing me closer to autumn and the start of everything closing and emptying, shutting down. The tourists will leave, the hotels will close, towns will turn into shells. Unlike other places: there is only life here for half of the year. I dislike that, the isolation that prevails. It is hard enough to navigate my own rocky terain, without also having to deal with the external. I wonder if there is anywhere in the world that suits me; if there is such a thing as an everyday sunshine place? No longer convinced; I still choose to believe. For to give up hope, to abandon the dream, is tantamount to giving up and abandoning everything: my writing, my art, my desire to be something more, my pursuit of the kind of happiness that resides inside myself.

Tired of thinking, I let my eyes close and surrender myself to sleep.

by Rebecca L. Atherton

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Trapped until summoned

imageThe pain attacks my head,
sticking my eyes with needles,
making a cushion out of me.

My heart pounds,
my stomach lurches,
my throat becomes a summer meadow.
My feet want to stay still
but can’t stop moving.

Trapped inside,
glued to a chair by my dog,
waiting on him,
I have no option but to remain where I am until summoned,
staring at my phone,
willing it to ring.

by Rebecca L. Atherton

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Yesterday’s desire. Tomorrow’s heartache.

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Arriving at the beginning, she feels frustrated. How many times has she travelled this way, circling the exact same landscape, weaving in and out of similar trees, meeting and greeting familiar people? Despite having lost count, she knows it is too many. Only a fool would keep repeating the same mistakes, failing to learn, not just from what has already been, but what has been and been despised.

Feeling the twist of loss, she rushes cobbled pavements, ignoring the blade in her foot and the furnace that surrounds her, drawn on by the possibility that life will call her bluff and people surprise her. She knows her wish is futile, her hope naïve, but she continues to dream regardless. A romantic soul with a lonely heart, she always looks on the bright side, attributing to events the benefit. Only when it comes to the weather, which belongs to another being far greater than she, does she doubt. Dreaming is what she excels at, what spurs her on, what allows her to continue, even in the face of it.

She arrives in a puddle of heat, immediately losing half of her dignity to the floor beneath her feet. The other half following, the moment she opens her mouth. An inconclusive reply in her mother tongue, a tongue different to that indigenous to here, further proving just how terrible her grasp of the language is; although she was understood, which must (surely) count for something. It does, doesn’t it? The important thing is that she tried and that she keeps on trying, like with her dreams. At some point the world will feel sorry for her and grant her her reward. She waits, her hands prostrate.

The bathroom, the scene of the crime, is empty. Slowly, she peels open the door, steps inside, catches the light, disturbing a band of neon overhead. To her surprise, her heart’s desire is exactly where she left it, looking forlorn, face to the wall. She snatches it up, lifts it to her mouth, gently kisses it, welcoming it home; then presses it to her breast, where it fits exactly: the final piece of a complicated puzzle.

Returning to the threefold space, a space functioning as entrance, centre and exit, too many jobs for anything so humble to do with any real success, her cheeks flushed, her eyes sparkling, her lips curved, she expresses her thanks. In the city centre, finding anything that has been left, forgotten or mislaid is unusual, unless that thing belongs to another and is part of their heart’s ache. She decides she must have a guardian angel after all and makes a note to correct her parents, who harbour more formal views. That means that God does exist, the Tooth Fairy is real, and elves can and often do live amongst the flowers and the plants at the bottom of the garden. Now isn’t that so much nicer than worshipping the shrine of insignificance, holding fast to the belief that we are all alone?

by Rebecca L. Atherton

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