It’s my party

imageGrey clouds, wet sky, drizzle; me, soaking it up – Uggs beyond saving, coat part-drowned, hair flat. On any other day… not so bad; but today: tragic.

I should have known there would be a rapid deterioration from here: therapist hiding behind an opaque veneer; eyes slip-sliding – mentally absent, disinterested in me; subsequent drawing consequently traumatic, submerged beneath layers of ink: shop assistants attacking, pedestrians snapping, the tube packed… Only the ‘should’ I ought to have been aware of was in hiding and I wasn’t aware of anything until afternoon turned up.

Black and blue from too much walking, talking to myself, I wander and search, visiting every known bolt-hole for a place to write. Gradually conceding, giving up; admitting defeat…

Hours later – slipping limply into a dark interior, bedraggled and worn out – I borrow a chair and invest in two cups; one’s cold and disastrous, the other’s delightful and hot.

A failed attempt at writing, and I reach into my bag, realising there is nothing for it but to bring the ‘thing’ out. Twisted and tangled, it’s grumpy and upset, anxious to be loved and lonesome without it.

Ballpoint braced, I revisit the page: pen dancing and glancing, mind whirring and incurring, repeating the lines I earlier, under intimidation, made.

A girl appears: unhappy, young; hair streaming, eyes leaking, mouth a crooked O.

Then words appear: ‘chaos’ incorrectly spelt; ‘cry’ back-to-front; ‘help’ upended. And, finally, I laugh, the irony catching up.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio

The moon underwater

imageWe sit opposite one another, each wrapped up in our own silence – yours hot, mine cold – juggling problems that refuse to be solved without the aid of phone calls, lawyers and threats. You are angry and your breath is red.

I’m angry too, but the weather has twisted my emotions so that my words are like water, hard to understand. Inside, bad things grow: a tree without roots, a plant with black leaves, strange-shaped flowers.

I listen to my body and it tells me it hurts, but with everything that is happening, I haven’t the will to care or the energy to do anything about it if I did.

Time extends. Days repeat. Hours drag. Mornings are difficult.

I get up. I go out. I walk until my feet ache and my legs collapse. If I’m lucky, I find somewhere to stop, but the closer it gets to Christmas, the harder it gets.

I break and I mend, over and over; and somewhere in amongst it all, I grow strong. Not physically, like Helen of Troy or Boudicca, but mentally like Sylvia Path and Anne Frank. And as my body bends – accommodating each trial, each tribulation, each trauma; each difficulty, burden and disaster; misfortune, misery and curse: climbing mountain and crossing ocean, traversing path and scaling tree – my mind repairs, reinforcing my character.

With this newfound strength, I begin to explore – finding comfort in strange places; only it’s fragile and cannot be relied upon. Monday’s bolt-hole rejects me on Wednesday. Tuesday’s womb is Friday’s cell. There are people everywhere, always, in festive jumpers and hats. Men parade as reindeer, women as elves. I can’t move for Santa’s and snowmen. They eat and drink, talk and shout.

Meanwhile, in the background there is a list: a house that needs repairing, a mortgage that needs paying, tenants to be sought and secured. And that’s on top of a contract that needs reversing, money reimbursing and a new apartment found. Plus, the few items of furniture we bought last weekend – in excitement, in hope, in anticipation… need returning to whence they came, if indeed they can go back; and our suitcases – half-full, half-empty; half-broken (one) – need to be repacked. After that: clients, courses, workshops, groups, jobs, opportunities, friends, etc. It’s a lot, so I try not to think about it.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Borrowed digits

imageDog tired. Bone cold. Kid sick. Sniffling and snuffling. Fighting, pushing, pulling and shoving. Pointing; the direction: anyone’s guess?

Walking, talking; whispering and muttering. Hunched shoulders, balled hands. Attention inwards. Heart concealed.

Feeling heavy. Hurting. Desperately seeking… Searching, for the point: all, any, everything, none. Attempting to locate myself – in crowds that bloat and swell. Carried along at breakneck speed: tripping and stumbling; spraining toe and twisting ankle, dislocating knee. Withdrawing – whenever, wherever, remotely possible. Using ‘said’ stolen minutes, snatched moments, borrowed digits, to calculate what from the previous whole is part of the hole that’s unravelling now.

Stumbling. Sinking. Slipping, stalling. Crying: morning, noon, and night. Holding myself together with yarn and thread; bits and pieces catching, bobbling, snagging, spooling off.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Uphill crumbling

image1.
Dead on my feet,
can’t speak:
uphill crumbling.

Dragging my toes,
dabbing my nose;
slipping, stumbling.

2.
Confused,
stressed;
under-dressed.

Eyes weeping,
difficulty sleeping.

Feeling cold,
growing old.

3.
A sprained ankle,
a twisted wrist;

falling

arse over tit:
“shit!”

4.
Admin,
paperwork:

d
r
o
w
n
i
n
g.

5.
Email,
phone:

LEAVE ME ALONE!

6.
Peace is golden.
Children should be invisible.
Why..?

7.
Trying,
failing.

Making,
breaking.

Far too strong,
always wrong;
never good enough.

by Rebecca L. Atherton

To keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Tiny pleasures, snatched

imageYour coat, my scarf, thermal underwear. A hot bath, central heating, a down duvet. Blankets, socks, water bottles – worn in bed, never shed. A stranger’s shoulders, a child’s hand, a dog’s torso: tiny pleasures, snatched.

A cup of tea, a park bench, afternoon sunshine. Mulled wine, an open fire, pine logs. Shops, galleries, theatres, cafés. Museums, markets, buskers, bands. People, places. Arms, legs. Bags, umbrellas. Taxis, cars. Constant motion: the lo-comotion – only without Jason and Kyle.

You, me; us, them. Up, down; right, wrong. Left bereft: heart aching. Confused. Bruised.

Try hard: fail heavy. Fight for: come up against. Never-ending; constant bending: always. Bitten. Shy.

World: oyster. House: cave. Some day…

Returning backwards; landing sideways: upside down.

Your face: Billy. Mine: Peep. Lost… sheep without a shepherd, people without a God, a leader without a clan.

Stoop, whisper, tiptoe. Fold into, close off, shut down. Attempting invisible: achieving sunshine, only hostile and hot.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Morning has broken

imageLast night’s dinner covered in ants.
The metal contraption that cooks in various shades of black.
Dirty plates, empty cups.
A girl with broken eggshells in her lap.

The snake of uncertainty.
A spider without legs.
A dust mote, a cockroach,
a senile cat.

The hive of a head.
The blue beneath.
Paper birds.
Hide and seek.

Tripping over objects.
Impatient feet.
The man in the photograph.
A final receipt.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Spilt Milk and Tomato Ketchup

image
The anger burnt her tongue
and her stomach churned violently.
Her mind disengaged.

He used to love her more than his ipad,
pay her more attention than his phone,
but she had given up on that.

Their keys were cracked, faded;
their screen was smudged and scratched;
their battery redundant.

If he were Pinocchio,
he could have planted trees with his lies;
there would have been hope.

As it was, there was nothing for it,
save stepping off and diving.
But could she swim?

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Empty cups

imageUncertainty wakes, rises, puts on a dress, washes her face and administers makeup; moves from the bathroom into the hallway, on to the kitchen, where she is blinded by light. Last night’s dinner sits in the sink, stale and menacing, covered in ants: creatures that smell a meal on washed-up plates, dine for hours on empty cups.

Indecision joins her, filling the kettle with tepid water, placing it on the hob to boil, taking four slices of factory bread from the artificial sheath that contains them, slipping them – slowly, carefully, ever so securely – into the metal contraption that cooks, painting their surfaces caramel brown and various shades of black.

The light flickers, the kettle whistles, the toaster clicks. There is comfort in action, reassurance in order.

Anxiety enters on impatient feet, circling, pacing, crying out in tones are far from dulcet, bereft of endearing; although her mother might love them, perhaps?

Uncertainty sighs and moves to the cupboard, extracting a plate and a bowl; taking a packet of something vaguely meaty, pouring it in; filling the empty hollow with dried-up balls that chime as they connect.

Setting it down with a tap like the rapping of fingers, the patter of rain, she begs a window of space from the creature that hounds her. The air, however, has other ideas. It hisses and cracks.

As she searches for purpose and meaning inside a present that is deceptively labelled, longing for a destination which manages to be both familiar and exciting at the same time; Indecision deliberates the tangle of life, feeling bitter and cheated, freshly abandoned.

Meanwhile, Anxiety circles, carving rivers of worry into the floor.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about jmy work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

Cure for anxiety

image
Focusing on the present;
I deal with the future,
one day at a time.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter

South of the Border

image
I rusticate south of the border,
a spider without legs:
counting fields,
collecting lanes,
navigating shadows so complete,
even at 8pm I am alone.

by Rebecca L. Atherton

imageTo keep up to date with my progress and receive a copy of my newsletter, send me your email address.

← Back

Thank you for your response. ✨

• View or buy my work at my online portfolio
• Save 30% and buy from me direct
Learn more about my work and the inspiration that guides it
• Keep up to date with my progress and receive a copy of my newsletter