Uphill crumbling

image1.
Dead on my feet,
can’t speak:
uphill crumbling.

Dragging my toes,
dabbing my nose;
slipping, stumbling.

2.
Confused,
stressed;
under-dressed.

Eyes weeping,
difficulty sleeping.

Feeling cold,
growing old.

3.
A sprained ankle,
a twisted wrist;

falling

arse over tit:
“shit!”

4.
Admin,
paperwork:

d
r
o
w
n
i
n
g.

5.
Email,
phone:

LEAVE ME ALONE!

6.
Peace is golden.
Children should be invisible.
Why..?

7.
Trying,
failing.

Making,
breaking.

Far too strong,
always wrong;
never good enough.

by Rebecca L. Atherton

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Tiny pleasures, snatched

imageYour coat, my scarf, thermal underwear. A hot bath, central heating, a down duvet. Blankets, socks, water bottles – worn in bed, never shed. A stranger’s shoulders, a child’s hand, a dog’s torso: tiny pleasures, snatched.

A cup of tea, a park bench, afternoon sunshine. Mulled wine, an open fire, pine logs. Shops, galleries, theatres, cafés. Museums, markets, buskers, bands. People, places. Arms, legs. Bags, umbrellas. Taxis, cars. Constant motion: the lo-comotion – only without Jason and Kyle.

You, me; us, them. Up, down; right, wrong. Left bereft: heart aching. Confused. Bruised.

Try hard: fail heavy. Fight for: come up against. Never-ending; constant bending: always. Bitten. Shy.

World: oyster. House: cave. Some day…

Returning backwards; landing sideways: upside down.

Your face: Billy. Mine: Peep. Lost… sheep without a shepherd, people without a God, a leader without a clan.

Stoop, whisper, tiptoe. Fold into, close off, shut down. Attempting invisible: achieving sunshine, only hostile and hot.

by Rebecca L. Atherton

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Snowmen in winter

imageBetter the devil you know than the prince you are chasing after. Better the life you have than the future you would like to arrive. Birds in the hand are worth more than mammals in the distance. Eggs more reliable assets than chickens down the line.

Thank God for what you have and count your lucky stars. Let absence take care of what is missing and providence provide. Tread softly around others, be mindful of their dreams. Give what you can to the less fortunate, take only what you need from those who can provide.

Think big, stand tall, set goals, climb skyscrapers. Plan ahead, take action, share often, do more. Walk with courage, run with enthusiasm, sit down with dignity, sleep with pride. Love each season as if it were the only one available. Embrace all weather, as if it were all there were.

Build snowmen in winter. Plant daisies in spring. Pick apples in summer. Make fires in fall. Smile at those who hurt you, laugh with those who don’t. Listen to your elders, teach your youth. Show those who are searching, lead them who would like to learn. Imagine it all different, then get up and take a turn.

by Rebecca L. Atherton

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The Prince who Favoured the Beast

imageFor years now I have shared my bed with a beast, although he used to be a prince and still was one when I met him and when we married. “How did it come to this?” I ask myself, querying the question. “And why won’t I leave?” To which there is no reply. These are but a handful of questions pulled from a list of intimidating length.

They say that love is strange and life is complex, that there is no understanding either one of them, no dissecting the element to make sense of the parts. And I am inclined (albeit reluctantly) to agree; after all, who am I to argue with those who are in charge the universe, the people who research and study to lay down and prove? Besides, given my current predicament, I would have to say that they are right. But it’s not all bad, not always…

The man behind the mask is still present inside and on good days he even comes out.

The boy next door still lives on my road and when I visit, I can sit quietly in my car and watch him come out.

In fact, if I am truthful – and I suppose I should be because this tale is more truth than fiction and honesty is the main point: I suppose he is around for half of my waking life. But the nature of that percentage is fragmented and split up and cannot be relied upon to present itself. One can be walking, working, socialising, shopping, etc…. and suddenly he –the beast, the demon – arrives, descending like a cloud to swallow everything else up. Then, the hand that I was holding is replaced by a paw, the eyes I was swimming in turn to ice, the voice that was whispering growls complaints and I am trodden on and trampled until I submit. It’s all rather pitiful and I am ashamed to say it out loud. But sometimes speaking difficult things is the bravest thing we can do and sharing can help others to avoid similar mistakes and, who knows: medicine can come from anywhere and take many forms; mine may arrive as a result of this.

Anyhow, this is a cautionary tale and I implore you proceed with care: you never know when something inadvertently encountered is going to rise to trip you up. I’ve cried over poems and wept over books, made decisions based upon films. I’ve travelled far, experimented widely and challenged myself in ways I never imagined I would. I’ve admired, praised, loved; rejected, run towards and fled from. I’ve hidden, stolen, joked; lied, laughed and wept, etc… all inspired by creativity, in one form or another. It’s a powerful element and can do strange things – healing and hurting, helping and hindering, in equal measure.

A fairytale in reverse, this is the story of a Cinderella deprived of a ceremony, a Rapunzel raped of her virginity, a Sleeping Beauty hooked on Prozac and a Snow White sold into slavery. It’s a child abandoned, a sister denied, a lover subjected to violence and a mother deprived. All very tragic.

So how did it start and where are we now and why do we allow it to go on? And what went wrong and why did it happen and who’s really to blame? And do these things matter to anyone but me, when the result is just the same: unhappy, heartbroken, sick? I’m asking you to provide the answer because you are the only ones who can.

We all have our own story, each one containing multiple chapters. Some of us live a new one each day, our pages turning rapidly, our words snappy and fast-paced. Others are slower to reveal themselves and are longer in length, appearing more like entire narratives, a book in themselves. At different times in our lives, their durations will vary. And, depending on what we are experiencing, so will their themes. Some will be romantic in nature, others more comedic, presenting as silly, carefree, frivolous and light. Others still will be tragic and sad, pensive and deep. We will reflect upon the passing of the years, the coming and going of people, who we are, who we were and who we have become. Despite being hard: it is never boring, for we never know what to expect.

For some of us, the element of surprise is alarming and we suffer greatly as a result. For others, not knowing is liberating, allowing space in which to experiment and expand. Ideally, we fall somewhere in the centre, permitting what will be to be without attempting to block it or stand in its way.

Love is equally as unpredictable and unreliable in nature. It comes and goes. It mutates. The quality rises and falls, often depending on external circumstances we lack the ability to control or predict. If we choose to indulge in this most human of experiences, seeking that perfect other half to complete our own gaping whole, then we risk falling and breaking. And if we decide to stick it out, believing still in spite of evidence that might suggest the opposite that things will improve, then we accept that the journey will be difficult. All this I have learned from experience. It is the hard way. But if we truly desire our happy ending, it may be the only one.

by Rebecca L. Atherton

image
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A skirt for a kitten

imageA skirt for a kitten.
A scarf for a cat.
A cardigan for a guinea pig.
A coat for a rat.

A jumper for a hamster.
A jacket for a dog.
A sock for a chinchilla.
A stocking for a frog.

A sheep in the garden.
A cow in the shed.
A horse in the kitchen.
A goat in the bed.

A mind in the gutter.
A mouth in the sink.
A finger in the cookie jar.
A toe in the drink.

An eye on the future.
An ear on the floor.
A foot on the ladder.
A hand on the door.

by Rebecca L. Atherton

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Morning has broken

imageLast night’s dinner covered in ants.
The metal contraption that cooks in various shades of black.
Dirty plates, empty cups.
A girl with broken eggshells in her lap.

The snake of uncertainty.
A spider without legs.
A dust mote, a cockroach,
a senile cat.

The hive of a head.
The blue beneath.
Paper birds.
Hide and seek.

Tripping over objects.
Impatient feet.
The man in the photograph.
A final receipt.

by Rebecca L. Atherton

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Spilt Milk and Tomato Ketchup

image
The anger burnt her tongue
and her stomach churned violently.
Her mind disengaged.

He used to love her more than his ipad,
pay her more attention than his phone,
but she had given up on that.

Their keys were cracked, faded;
their screen was smudged and scratched;
their battery redundant.

If he were Pinocchio,
he could have planted trees with his lies;
there would have been hope.

As it was, there was nothing for it,
save stepping off and diving.
But could she swim?

by Rebecca L. Atherton

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Empty cups

imageUncertainty wakes, rises, puts on a dress, washes her face and administers makeup; moves from the bathroom into the hallway, on to the kitchen, where she is blinded by light. Last night’s dinner sits in the sink, stale and menacing, covered in ants: creatures that smell a meal on washed-up plates, dine for hours on empty cups.

Indecision joins her, filling the kettle with tepid water, placing it on the hob to boil, taking four slices of factory bread from the artificial sheath that contains them, slipping them – slowly, carefully, ever so securely – into the metal contraption that cooks, painting their surfaces caramel brown and various shades of black.

The light flickers, the kettle whistles, the toaster clicks. There is comfort in action, reassurance in order.

Anxiety enters on impatient feet, circling, pacing, crying out in tones are far from dulcet, bereft of endearing; although her mother might love them, perhaps?

Uncertainty sighs and moves to the cupboard, extracting a plate and a bowl; taking a packet of something vaguely meaty, pouring it in; filling the empty hollow with dried-up balls that chime as they connect.

Setting it down with a tap like the rapping of fingers, the patter of rain, she begs a window of space from the creature that hounds her. The air, however, has other ideas. It hisses and cracks.

As she searches for purpose and meaning inside a present that is deceptively labelled, longing for a destination which manages to be both familiar and exciting at the same time; Indecision deliberates the tangle of life, feeling bitter and cheated, freshly abandoned.

Meanwhile, Anxiety circles, carving rivers of worry into the floor.

by Rebecca L. Atherton

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Cure for anxiety

image
Focusing on the present;
I deal with the future,
one day at a time.

by Rebecca L. Atherton

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South of the Border

image
I rusticate south of the border,
a spider without legs:
counting fields,
collecting lanes,
navigating shadows so complete,
even at 8pm I am alone.

by Rebecca L. Atherton

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