Morning has broken

imageLast night’s dinner covered in ants.
The metal contraption that cooks in various shades of black.
Dirty plates, empty cups.
A girl with broken eggshells in her lap.

The snake of uncertainty.
A spider without legs.
A dust mote, a cockroach,
a senile cat.

The hive of a head.
The blue beneath.
Paper birds.
Hide and seek.

Tripping over objects.
Impatient feet.
The man in the photograph.
A final receipt.

by Rebecca L. Atherton

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A dysfunctional legume

Her heart feels heavy and there are tears behind her eyes. Her whole body hurts. The sensation is all-consuming. The future is knocking and she doesn’t like what it’s carrying. Unlike before, this is not an adventure or an illustrious trip: it’s an about-turn; a reversal of trajectory, heading face-on into a familiar undesirable she thought herself to have fled.

Attempting to alleviate the uncomfortable, she throws it over her shoulder until it’s far enough away to ignore, delaying its revival until a more convenient time. In the interim, she invents a new project: at least preoccupied, there will be less room for thinking and her thoughts, if any, will be of minutiae.

For a subject, she picks an orange gourd: a week shy of Halloween, pumpkins are as good a theme as any. They are also an apt symbol, being concerned with ghoulish things. What better vessel for her demons than a vegetable with limbs?

by Rebecca L. Atherton
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Footprints more durable than memory

imageStanding too close to the edge, time was running out, each new day crossing one of those remaining out. Soon there would be more trailing behind than leading ahead. And in saying goodbye to right now, she would be colliding with a back then she had fled: a space without warmth, security or comfort. In looking to escape, she had become trapped, and the noose about her neck rubbed.

It was a cruel quirk, an uncanny twist, an uncalled for punch, one of those things that just seemed to happen… only mostly to her. Other people sped past: collecting points, accumulating assets, building solid lives filled with substance, stability and structure. While she, on the otherhand, remained stuck, struggling to get her knee to accommodate the slightest incline.

The clock on the wall ticked. The rafters grew cobwebs. Time sped, leaving footprints more durable than memory. Summer faded and autumn arrived, laced with the unpleasant threat of a lonely winter. People packed up. Birds migrated. Animals collected food and disappeared below. The sky darkened. The clouds gathered. The moon wept and the stars fled. It rained and didn’t stop, and the field on which her house sat became a swamp. A beast with nine toes moved in, its cries keeping her up. Aware that it suffered a similar plight, she went to visit it daily, feeding it scraps from the table.

While those in front dwindled and those behind grew, it gradually dawned on her that it was necessary to make a plan. To continue to wander was irresponsible and dangerous. To arrive without a template, worse. Regardless of the motivation that initially inspired it, she needed a place to accommodate the boxes that had come into her possession along the way.

Dragging a large rock from the garden out back, she scratched her ideas into its stony surface, carving out cavities inside of which her secrets could fall asleep safe. She spoke to it, sang to it, wept over it and embraced it, decorating it with leaves, moss and the petals of dying flowers. She kept it warm, watered and dry. Somewhere along the line, she fell in love. And somehow, the deeper she fell, the darker it got, the more excited she herself became, until one day she found that she could face the straight line without buckling or crumpling.

The rock had strengthened her resolve in ways that the monster had not – stirring her spirit, moving her soul, mending the pieces that had broken or cracked. With those she could count on in short supply, their location scattered, she thanked the Universe for sensing her need and seeing fit to send it her way.

by Rebecca L. Atherton

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Empty cups

imageUncertainty wakes, rises, puts on a dress, washes her face and administers makeup; moves from the bathroom into the hallway, on to the kitchen, where she is blinded by light. Last night’s dinner sits in the sink, stale and menacing, covered in ants: creatures that smell a meal on washed-up plates, dine for hours on empty cups.

Indecision joins her, filling the kettle with tepid water, placing it on the hob to boil, taking four slices of factory bread from the artificial sheath that contains them, slipping them – slowly, carefully, ever so securely – into the metal contraption that cooks, painting their surfaces caramel brown and various shades of black.

The light flickers, the kettle whistles, the toaster clicks. There is comfort in action, reassurance in order.

Anxiety enters on impatient feet, circling, pacing, crying out in tones are far from dulcet, bereft of endearing; although her mother might love them, perhaps?

Uncertainty sighs and moves to the cupboard, extracting a plate and a bowl; taking a packet of something vaguely meaty, pouring it in; filling the empty hollow with dried-up balls that chime as they connect.

Setting it down with a tap like the rapping of fingers, the patter of rain, she begs a window of space from the creature that hounds her. The air, however, has other ideas. It hisses and cracks.

As she searches for purpose and meaning inside a present that is deceptively labelled, longing for a destination which manages to be both familiar and exciting at the same time; Indecision deliberates the tangle of life, feeling bitter and cheated, freshly abandoned.

Meanwhile, Anxiety circles, carving rivers of worry into the floor.

by Rebecca L. Atherton

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A creature of habit

IMG_6520-0I suffer from chronic anxiety. I’m not sure when it started, if I have always had it, or if it is only recently that I have become affected, like in the last 15 years. I do know that it plays an influential role in my day-to-day life and that it occurs with enough regularity to have become frustrating and annoying.

When I was at university I had a boyfriend who experienced panic attacks. They were a mystery to both of us, neither one of us understanding the shortness of breath, the hot flushes, the dizziness, the nausea, the blacking out, the vomiting and the lack of consciousness. He lived in fear of a repeat attack and this fear dominated our evenings. With the understanding I have now, I look back and feel guilty: I could have been a lot more compassionate and helpful if I had known what it was he was going through, if I had understood it. As it was, a part of me thought he was doing it to sabotage our evenings (it only ever happened when we were out with my friends). If we had kept in touch, I would have phoned him long ago to apologise. I would have also explained to him what they were, if he hadn’t already arrived at his own discovery, and recommended possible avenues of treatment. A rough analysis attributes them to the state of flux he was experiencing as a result of his recent uncertainty about the future and the pressures from his family. Several months later, he dropped out of a law placement and switched to teacher training. A dramatic shift in direction (provoking disappointment and anger from his parents) which helped him profoundly.

Anyway, regardless of when my attacks started (at a guess, I would place them at 8 years), the reasons were similar and the results pretty much the same. And ever since, each time there is a significant shift in circumstance: a sudden change, an enforced situation, a necessary transition from A (where I am comfortable) to B (where I have no idea), an extended journey resulting in a separation from everything known, etc., I start to unravel, my inner peace disappearing. If I fail to act, attempting to ignore the emotions and run from the reasons, the anxiety escalates until it reaches a level that incapacitates me. And even then – housebound, bedridden – there is no relief. The only solution is to turn around and face and to attempt to address.

Over the years, I have learnt that there are things that I can do. And they are things that, on the whole, are fairly successful. The challenge is becoming aware of the spike before it is too late and getting my mind to agree to accompany me on the necessary journey to solution and recovery.

Things that work are:

• self-hypnosis for anxiety, worry and stress
• meditation, ideally with a mantra
• gentle exercise (yoga or a walk with music)
• verbal expression (either by talking to someone I trust or writing in my diary)
• a solid daily routine
• safe places where I can go to relax or work
• an emergency plan (i.e. someone who can talk me down or come and collect me should the need arise)

Practiced regularly, I can keep the anxiety to a minimum and the attacks at bay. There are periods of time when I forget about them completely. It is only when the circumstances are such that I have no power to affect them that I struggle to arrive upon a cure. In these times the above list is key to my survival and, while it might not remove or solve, it does deliver a situation that is manageable.

These days I am a creature of habit. I have a routine, essentially a timetable, which I follow without complaint. At a certain time I will always be in a set type of place going about a specific activity. And, while it could be viewed as small and limiting and perhaps a little sad, sequestering my life and its experiences to the confines of a box: for me, it has actually been the opposite, allowing me to travel the world, live in different places, experiment with different things.

more information on panic and anxiety
Broken Light: photography for mental health
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The creative benefits of keeping a diary

imageI would hazard a guess that the majority of writers keep a journal and that they have kept a journal from the moment they could write. If writing is in your soul, there is a fundamental need: to express, to expose, to exorcise… freely and often, across all forms.

Throughout my writing life – which starts when I got my first pencil and learned (painfully) how to trace; and has since religiously continued – I have kept a journal, putting pen to paper as often or as rarely as circumstances, events, situations and emotions dictated. My notebooks are amongst my closest friends and I treasure each of them dearly. In fact, when I relocated – first to Mallorca, then to Sydney, and then back to Mallorca again (where I am now, but only, I think, temporarily) – such was my fear of being separated: of suffering loss, theft, damage, I consigned my journals to several boxes in storage, where they have since stayed, safe within the embrace of a controlled environment. All I have on me now are those I have written in the interim, which, incidentally, now fill a box of their own.

Journaling is important to me because it creates a space amidst the general chaos and clutter from which to pause, collect, organise and untangle. Journaling enables me to set things down, sort through them, unpick them, understand them and heal them. I’m like a bottle of fizzy water. Life shakes me up, agitating my contents, provoking, over time, the need to decant. If I ignore this need or fail to address it often enough: eventually, I explode. It is necessary in a way that is both urgent and vital to tend to the contents: airing, sharing and reducing – simply by way of unscrewing the cap, allowing whatever has manifested, festered or become trapped the chance to escape.

In addition, journaling also presents the opportunity to reflect, dissect, analyse, learn, understand and future-proof against detrimental repetition. My entries highlight my mistakes, trials, triumphs and progress more accurately and honestly than I, asked, could ever hope to.

I believe that keeping a diary is one of the healthiest things that you can do, fundamental to emotional wellbeing and on a par with regular exercise, a sensible diet, a healthy social life and plenty of sleep. Neglecting to honour this practice has, for me, been a costly mistake, one I try not to but will no doubt repeat for, frustratingly, it is usually when we most need it that we deny, the wall ahead appearing too solid, tall and daunting to successfully dismantle or scale.

In my recent travels I came across an article entitled: famous writers on the creative benefits of keeping a diary. I thought you might also like to read it.

In addition, if you would like to learn more about the practice of journaling and its many benefits, here are some links to get you started:

why you should keep a journal
the health benefits of journaling
100 benefits of journaling
emotional and physical health benefits of expressive writing

I wish you fun, freedom and adventure. Given permission, your pen or keyboard can work wondrous things upon your mind.
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Days like these….

image

Some days are just plain painful, not for any reason in particular (at least not one I can attach any tangible sense to) but just for the sheer fact that remaining upright is an effort and maintaining a smile bearing any vague semblance to a genuine entity a chore.

My head throbs. My eyes prick. My neck and shoulders are locked: stubbornly resistant, oppressively tight. There is this malicious thing going at my chest with a fork. It is blunt and tarnished, void of serration and shine. It is old, too and overly admired. As for my heart, that most delicate of creatures: it feels fragile and weak, like it’s been recently broken by some element or identity it most desperately loves.

I’m not sure where to attribute the blame: the weather, the date, the season, bodily hormones, the phase of the moon, events, recent treatment of self by self and/or by others, or just life in general and the incomprehensible nature of it.

Not that blaming helps. Attaching a label is never a wise thing to do and rarely serves a greater purpose beyond shrinking and limiting. Call a glass of milk a glass of milk and it can never be anything but a glass of milk. Present it as a potent vessel, life-giving liquid, a substance matching a March moon in colour trapped within a container resembling in clarity a pair of NHS glasses or else tri-annually cleaned windows, and it is immediately that much more interesting. At least in my book it is. To you, it may now just be confusing.

As I said: I have a migraine and my thoughts are jumbled. I’m writing in an attempt to evict the pain and because, otherwise, my afternoon will be empty of employment. I can’t read. I can’t sleep. The thought of meditating, although tempting, also seems like a waste. I want to do something useful but my options are limited. This is the compromise.

Pining August, missing her already despite still sitting pretty within the arms of her last day embrace, I am trying to remain in the moment. If I look back, I see the ribbon of summer – colourful-worn and spent. Forwards, I see autumn leading towards winter, the approach of weather that hurts, sky that is mean, sun that doesn’t like very often to come out. A time of wrapped up, curled up, hunched in front of while the wind screams in earnest and the clouds weep. I see me disappearing. My voice fading. My confidence failing. Tears close by.

So I’m trying to stay where I am. Trying to make the most of every day I have. Trying to do enough so as to warrant justification and stave off regret. And I am managing, just about. Even with this pain, I am obedient to routine: traveling to new places, working out and about, visiting people, being as sociable as my limited diary will permit. I’m not slacking. I’m not shying. So why isn’t it easier? Why does this black thing, this shadow, follow me around and about? What did I do to deserve it? What can I do to make it go away?

I rest. I exercise. I meditate. I read enriching books. I express myself in words and in imagery. I make sure I get enough air and light. I eat raw ingredients and buy organic products. I avoid sugar and processed foods. I restrict, as much as possible, violence and crime, distressing information, destructive people, depressing news. I protect myself. I love my dog and I allow her to love me. I express myself openly and honestly – to my partner and to my friends, allowing them to do the same back. I try to be nice to everyone I meet, to give instead of take. I put in as well as extract, invest as well as lay claim. I believe in my purpose, my destiny: something I have looked deep to find, worked hard to own, and attend to daily. Surely life should be better having done and still doing all of this? That is, after all, supposed to be the answer.

But who is this omniscient being who professes to know what makes us tick; what repairs the cogs that are dented, the coils that are squeaking, the wheels that are turning the wrong way? He’s not God. He’s some intellectual who has studied a lot, some guru who claims to be enlightened. He’s not the real thing. He’s not even always a ‘he’. How can we, I, trust something so ordinary, so similar in genetic makeup? We can’t really and we oughtn’t to, but we do, because at the end of the day all any of us wants is answers, solutions to problems and questions; because the not-knowing how, why or when is just too big, vast, empty to live with. Like looking over the edge of a building or down into the depths of a well, there is this aching feeling, this hollow scream, a carved-out wound that feels like a child that ought to be there but isn’t, a lost baby, a dead pet. It makes one want to jump, to just hurry up and get it over with, to bail out. And it also makes one feel absolutely terrified. Far easier to simply buy into, accept, adopt, leap onto and cling. Whether it’s Deepak, Robbins, Hay, Hart, the Dali Lama, Buddism as a belief, Christianity as a crucible, Gestalt and Jung as theories and philosophies: anything, everything; one, two, ten… is a better thing to cling to than empty space.

I look. I find. I try. I attach. And for a time, I am full. Then the gnawing returns and my soul complains that it is hungry again and needs to feed. Like a child with worms, there is no sating it. And it’s the no sating, no solving, no sedating, that enslaves me.

So I lie here in limbo, an adult crying for a parent who no longer exists, yearning for a breast that has long-since been interred; essentially waiting for a miracle that may (or may not) eventually come. It’s a sorry state of affairs to be managing and yet somehow I am in charge of it.

by Rebecca L. Atherton

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Yesterday

image

A series of overcast days has reminded me how important the weather is, how much I value the sun; how deeply I loathe the winter, the accompanying cold and rain. With the decline, I’ve felt my mood plummet, matching the shift point for point. I cast my mind back over the past few months: the light, the heat – and forgive the intensity of it; even the nights when I couldn’t sleep, the mornings when the closeness of it was oppressive, hard to bear. Better that than this. Better that than me sat here shivering, struggling to warm up, cold in August) of all things.

Claustrophobia descends, settling around my body like a dense cloud: a fog I cannot see through. Hiding in my room, I seek the comfort of literature, curling my mind into the words as I curl my body into a blanket. I sip ginger and camomile tea against a backdrop of white: walls that are still, even after over a year of living here inhabiting this space, waiting to be decorated; the reluctance to put down roots, to claim my territory, to settle – here, anywhere – is evident.

I question my resistance, the reason for it, attempting to list the benefits. Footloose and fancy-free seem to have become my allies. Little and nothing my mantra. It’s all a bit too zen and a lot too modern. I’ve never been minimalistic. In England, my home was filled with personal effects; the space was a reflection of me. Fabric birds hung from painted ceilings. Paper butterflies clung to knitted plants. China ornaments talked to tin toys. Picture frames reclined in alcoves and rested on shelves. Books lined walls, creating temporary tables on polished floors. Paintings, mostly by me, although some by my friends, hung everywhere. I belonged there: it was my nest. Here, it’s more like someone else’s space, my being here borrowing.

I decide that I need to make more of an effort and that I need to work harder on finding my happiness within. This becomes increasingly important as August disappears, each day passing bringing me closer to autumn and the start of everything closing and emptying, shutting down. The tourists will leave, the hotels will close, towns will turn into shells. Unlike other places: there is only life here for half of the year. I dislike that, the isolation that prevails. It is hard enough to navigate my own rocky terain, without also having to deal with the external. I wonder if there is anywhere in the world that suits me; if there is such a thing as an everyday sunshine place? No longer convinced; I still choose to believe. For to give up hope, to abandon the dream, is tantamount to giving up and abandoning everything: my writing, my art, my desire to be something more, my pursuit of the kind of happiness that resides inside myself.

Tired of thinking, I let my eyes close and surrender myself to sleep.

by Rebecca L. Atherton

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